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What Wuorinen says at the end contradicts, in a beautiful way, all of the elitism of his earlier comments. It is JUST music the same as anything else. I love his music just as much as I love rock... the major shortcoming among modernists like Wuorinen is in believing their music to be ABOVE the others. Once we recognize it as just one (quite valid!) musical statement among myriad others, we can learn to love the music without compromising ourselves for the future and without becoming cynical freaks. Wuorinen's music ROCKS if you can just view it in the opposite way to which he himself largely viewed it... the same can be said of the music of Boulez, Stockhausen, Schoenberg, Ruggles, etc.
@@brturner Looks like it's actually the title track from Soledad. The part in the video is about 4 minutes into the song. Glad I found it and thanks for pointing me in the right direction!
wuorinen was a brilliant elitist drunkard whose aesthetic pronouncements - especially on what counts as "legitimate" art and "high culture" - could have been written by ayn rand or any other authoritarian hack
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It's really good to hear him talk about the period snd the hopes and exploration, the almost irrelevance of pitchrows in his music and the not absolutenecessity of the 2ndViennese school. Id like to hear him,read speak in different decades before this. Need to hear more of his vocal music and what texts he used.What is Meaningful and enduring,standards,exclusion. What he ends with is frightening. TiaLeon shows us how to keep cultural legacies,intelligence and folkculture alive in classical music. I dont know if Wuorinen's extremities are really so difficult but they are a narrow type of fun.Berio to me included almost everything and this was a great decision. Berio was perhaps less insulated in Academia.
Smash and grab style of cello playing. Upbeats horribly heavy and jabbed. How to massacre both the cello and the piece in one easy lesson. Poor cello, poor Bach, poor audience.
the problem with art these days is that we can have literally the finest art in the world in places no one knows about it and never will know about it. It makes me deeply sad.
Saw your name on a nytimes Jazz list. I've been listening to "enthralled not by her curious blend". Oh gosh. I heard something of myself in it and I live on a Polynesian island thousands of miles away in the Pacific Ocean. You make it okay to experiment but your music is true and soothing too. Thank you from American Samoa. Faafetai tele.
This video made me quit my music career and drop out of jazz school. I was in it for the wrong reasons, and I am beyond grateful that Milford made me realize it. 0:40
