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Shirley Jones describes how she got her first big career break at 20 years-old, when she went to an open audition in NYC that Rogers & Hammerstein held every two weeks. When the audition coordinator heard her sing, he got both Rogers & Hammerstein to come and hear her. Jones stated she wasn't totally sure who Richard Rogers was. They hired her on the spot. First was in the chorus in South Pacific. Then the understudy for the lead in Me & Juliette and then the star of the film version of Oklahoma, all happening in one year. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-S6E_iJ6v7W0.html
I heard somewhere several years ago that when they were casting The music Man they wanted Frank Sinatra to play the role of Harold hill. Meredith willson who wrote the music said you don't make the movie unless you take Robert Preston. I honestly applaud Mr Wilson. I don't think Frank Sinatra would have been as good.
Robert Preston. Good grief. What a force of nature. I remember hearing it said that he did "talk-singing", with the implication that it was cheating, but here he is, belting out the melody with the force of a trombone. Jack Black did this number in a movie, and it was fine, but he didn't have Preston's voice.
This song, I THINK more then any other in the film makes me tear up... Not only is it a hopeful message, but it’s also realistic... No point chasing the love of someone who doesn't love you back.
the man who could rhyme "knee deep in love" with "me deep in love" and make it sound natural - what a talent. This is my favorite song in the musical, it was added for the movie by Meredith Willson to replace that similarly themed, but much less successful white knight song. The acting in this scene by both of them is wonderful, too!
I heard somewhere that when they were making the movie they wanted Frank Sinatra to play the role of Harold Hill. Meredith willson who wrote the music told the studio that if they did not take Robert Preston they could not make the movie. I really applaud Mr Wilson. I honestly don't think Frank Sinatra would have been as good.
To be honest, it wouldn’t make my top ten and I still find it incredible that it took so many Tony’s in 1958, including best musical, when it was up against West Side Story, which is a masterpiece.