Сочетание расслабленной, умиротворëнной, а может быть, тоскливой игры и живого, такого сильного, бьющего, как горный ручей, голоса... Это что-то потрясающее... Это реакция человека, реально далёкого от музыки и вокала, так что профессионально я вас не оценю... Но не так много песен вдохновляют... Мерси
It's a soft voice but it's got all the feeling it needs. Love that slight warble at times. Hope she never tries to correct that. Folks spend their whole careers tryinfnto find their own sound. She nailed her own here. Nothing wrong with this at all. Also the guitar play suits her excellently. Real solid talent right here. Everyone should take notice. Just my opinion.
I can't even tell you how much I love this song. It is the rhythm of the strum pattern/muting that makes it addictive for me. I wish more of your stuff was on Spotify.
Huge thanks to Jon Patton for explaining the chords in his earlier comment. But for people like me who want to know the chord names relative to the capo (rather than absolute) here they are (I also changed the 2nd C in the verse to an F) Verse: Am, C/G, D11/A, Am, F, Em7b13 Chorus: Am, C/G, G, D7 x02210 Am 332010 C/G 320003 G 133211 F 554030 D11/A 020010 Em7b13 x5453x D7 All credit to Jon and, of course, Sahara.
Couldn't find the lyrics anywhere so I tried transcribing them. A: Look at all this trouble you caused here, for the ones you used to hold dear. Look at all these people that you hurt, see the way their hearts burn. B: And they don't know who you are, though they ran very far to get away from you. We thought we knew who he were, then we got our fingers burnt stinking up with you. Chorus: C'mon man you're dead, and you don't know it yet and you don't know it yet X2 A: So in a sence I'm so naive, I said "ah man, what's wrong with me?". Look around and wounder why people spread these dirty lies. B Chorus X3 First part of B X3 Chorus X3
Titlayo line 1A-1: look at all this trouble you caused here line 1A-3: look at all these people you hurt line B-2: though they ran very far im not sure about line B-4, it could be "then we got our fingers burned just to keep up with you" same with line 2A-1, it could be "some of us are so naive"
Nic Arnold I've changed the first 3 lines you've corrected, but I'm gonna keep the two others. It's too hard to be hear, so people can decide for themselves until we are sure. Thanks
Brynn Baker not too hard to pick it out just watching the video, but the verse is Cm | Eb F11 | Cm | Eb Gm7aug and the chorus is Cm Eb Bb F7/9. Don't be scared by the long names, the fingering is easy. The capo is on the 3rd fret. Cm is played like an Am. Eb is played like a C, 3-3-2-0-1-0 The F11 is fingered like the C just slid up two frets -- 5-5-4-0-3-0. The "11" in the chord name comes from having the open G string (Bb note is the 11th note of an F scale) and the open high E string (g is the 9th note of an F scale). The Gm7aug is played like an E7 except instead of having your finger on the first fret of the G string, it's on the first fret of the B string, so your index finger doesn't move from where it is when you're playing the Am chord formation. Fretting is 0-2-0-0-1-0. This chord might be a "mistake" because normally it would just be a straight G7 (played with an E7 formation), and she might not be playing all the strings for simplicity's sake. If you played a G7 there I doubt it would sound noticeably different with the melody. The Bb in the chorus is played just like a normal G chord. The F7/9 is played like a C7 slid up two frets with the high E string open (you could also write it out as 7sus2). She might not even be sounding the high E string, in which case it would just be called an F7. You can also play it exactly like a normal D7 chord formation and it would probably sound the same.
