A global music icon, Abbey Road Studios has been home to countless landmark recordings and advances in music technology. The legendary studios’ phenomenal history encompasses celebrated work by artists from The Beatles, Pink Floyd, Fela Kuti, Kate Bush, Oasis and Radiohead to Sam Smith, Florence + The Machine, Ed Sheeran, Kanye West, Lady Gaga, Frank Ocean, Amy Winehouse, Brockhampton and Adele.
Since the score for Raiders of The Lost Ark was recorded in 1980, Abbey Road has become one of the world’s premier destinations for movie scoring, with credits including The Lord of The Rings Trilogy, Skyfall, the Harry Potter and Star Wars series, Gravity, The Shape of Water, Black Panther, Bohemian Rhapsody, Avengers: Endgame and 1917.
Abbey Road is one of the foremost mastering houses in the world, while its innovation work continues with Abbey Road Red - a music tech incubator, and the Production Hub - an online studio, allowing remote mixing & mastering.
Agree… that made them stand out from absolutely everybody else. As a kid at the age, getting an oasis single was more exciting than getting any other bands album and the B-sides were better than anything other people released.
Dear Abbey Road team, thank you very much for providing this wonderful opportunity to learn from the leaders and innovators in the industry but also understand yourself better in the process! It is such a privilege to feel a part of the community and have your question answered by the very people who are shaping the current musical landscape. Very inspiring to see new history being made in these walls with every new year. ❤️
Yo Abbey Road Studios, pls do an orchestral callab with The Amity Affliction, like you did with Architects. Adding orchestra to their bangers would slam so hard. Love what yall do : )
This is great! I love Abbey Road (having worked there for 8 years) and I love The Clockworks (having had the honour of coaching James) 🙏 And yep, it was me Dear James that gave you that imagery you refer to at 5.50 😁
Sorry Giles, but, you butchered this one. Just two quick examples amongst many mistakes made on this remix : the “aaaaggghhhh, by Lennon at the end of Come Together is buried, gone, not a single hint of it. That vocal is essential to the mood of the song and taking it out so we can hear the background vocals and guitars better instead kills the whole song for me. The second major mistake is on another Lennon masterpiece; the repeated guitar riffs & second part of “I Want You (she’s so heavy)”, which, make transforms the song into an hypnotic sound experience, are somewhat buried. They were always at the forefront because that’s what made this song magical. Now they’re mixed within other sounds and that too, kills the song for me. Nope, this remix is terrible in my opinion and it’s not for me.
This is the year I was born, i he has been one of my idols. Was lucky enough to meet his two sons just before they sold the family hotel in St Ives in 2007. People should read his biography, there are two actually.
Wait, so you're 92 years old? I can't imagine how it feels seeing the world evolve all the way from WWII and the great depression, only Radio instead of TV, to having the Internet and being able to leave comments on RU-vid videos.
