Però questa opera ha una bella storia come retroscena, la faida senza fine cominciata dalla stirpe di pelope . Come in tutte le storie di faide , i vivi si scannano per beghe coninciate decenni prima da gente ormai morta
Guardo questa opera teatrale solo perché mi piace l'Iliade e questa opera ne è "il sequel" poiché Agamennone viene ucciso dopo essere tornato da Troia ma sinceramente sta roba è una chiavica . È troppo retrogrado tutto questo Ma l'argomento mi piace sia chiaro
Мне больше нравится Ивон Кенни. У неё более легкий , полетный голос молодой девушки. У Барбары голос зрелой женщины , что не очень подходит к партии Фьоржилиджи.
Maravillosa interpretacion ,he visto muchas versiones de esta escena y esta por lejos es la mejor, la voz de ella es sobervia ,actua muy bien y la musica celestial ,reconforta el alma
It's so sad that Lucia Valentini Terrani passed right at the very height of her fame as did many other great opera singers like Kartkeen Ferrier, Lucia Popp, Tatiana Tryanos, Daniella Dessi and several others. They all had great careers and were justly famous but they were not able to complete a full career. That's the sad thing! May you all rest in peace.
JUAN DIEGO FLIREZ CERTO FAVORITO ANCHE IN PARADISO. PIU NON SI PO SAPERE E DIRE PURE DEL INSUPERBILE UNICO DIVINO-GIA IN TERRA JUAN DIEGO FLOREZ!!!!!MARTA BEATRIX DARDAY
DA QANDO UNICO PERFETTO COMTE ORY ERA DIVINO JUAN DIEGO FLOREZ NEL 1998.:E UNICO C ORY INSUPERBILE FINE AD OGGI E PER ETERNITA. TUTTO CHE ROSSINI E FATTA SOLO DININO JDF +DIVINO PIU GRANDE TUTTI PER ME GIOACHINO ROSSINI E JDF. MARTA BEATRIX DARDAY
Elle fait les notes ,c'est certain .Cependant les notes sur aiguës n'ont pas une belle sonorité et ressemblent plus à fes miaulements .Cela n'enlève en rien à l'art du chant de cette grande cantatrice qui savait parfaitement tenir la ligne de chant dans des ouvrages du bel canto ( Straniera !❤).
Yeah, the voice is light, and the top was always iffy. But I think this is really exciting singing. Great attention to detail, and great sense of momentum. She knew what she was doing. I would agree though that this should have been as heavy as she went, rather than the start of a new dramatic career.
As effective as La Luce Langue is, it sounds like something from Aïda, which is both a pro and a con; it is a massive musical non-sequitir from the stylistically evolving Verdi. THIS aria is an awfully hearty bel-canto romp, but it fits in better with the scheme of things (musically, at least). And what FUN it is to hear!! If this aria were kept by Verdi, then Macbeth would STILL be considered one of Verdi's best. And Mrs. Hunter ROCKS it!
Cómo pretendes querer olvidar, nuestros momentos de felicidad cuando supimos unidos vivir y toda dicha y dolor compartir las hojas muertas de vivo color, son nuestros recuerdos de amor las hojas muertas, se pueden guardar, para tenderse en su nido a soñar Mas, si no se guardan a tiempo, juguetes del tiempo serán con ansia, las recojo del suelo, porque yo, yo no puedo olvidar Con mi canción, tu bien recuerdas, cuánto te amé, cuánto te dí con mi canción, las hojas muertas, revivirán, tal vez al fin Pero, el viento cruel, amenaza, para arrancar, por siempre más la esperanza, que, con fe, se abraza, y nunca se puede dejar con mi canción, las hojas muertas, revivirán, tal vez al fin Pero, el viento cruel, amenaza, para arrancar, por siempre más la esperanza, que con fé, se abraza, y que nunca se puede dejar
