Grand groupe que Bahaus très très fort puisant sa révolte dans les entrailles des ténèbres je les écoute depuis toujours 1982 et je suis content de voir que ils ont fait des beaux enfants
"A great band that Bahaus very, very strong, drawing its revolt from the bowels of darkness, I've always listened to them since 1982 and I'm happy to see that they have made beautiful children"
I've heard from several people that they rarely played 'Levee' well live. It's good to hear this obviously live (and damn good) version. I effing love Led Zeppelin, and especially Jimmy Page! (Jimmy's brainchild.) They were meant to be.
Beautiful song..Solo here, Jimmy uses his signature "Middle Position " sound .A fair bit of Phase Cancellation in this sound, however the the pickups are actually "'In Phase"
the fisrt album(+ album 'Killing en a.. b ) are my preferés(?). good time fot music.i Washington young when i'm lesson Thérèse album,13 years sorry for yhe mistakes,i'm.french,nonodyb's perfect. lol
We were there for this gig, me and whitey were about 15 y o my brother 13. Was a dreamlike hour or so, where we kind of woke up at the end and thought Wow! Got to go backstage and smoke a big doobie with Lil, Robert sitting quietly to the side looking distant, untouchable. True story.
thanks, the best thing you can do is model the preamp after a tweed Bassman/Plexi or Deluxe, the power amp is a lot different I'd leave it if unsure. I don't have tutorials, try robinette's site.
Cringe... Levee should be played more precise... the magical chorus/turnaround section is wrecked by Page quivering and not quite hitting it... sounds like he's drunk, sadly.
what was wrong with em....not playing levee/wanton more often....same with for your life/royal orleans/candy store rock/tea for one.....from presence....
but this would probably work reverb.com/item/56777331-microphone-connector-switchcraft-adaptor-for-converting-old-screw-on-to-1-4-for-usa-astatic-jt30-m5023
@@echoluxe2022 I often think the intro of both those songs is so similar that one has to be a response to the other? A bit like OU812 as a title was a response to "Eat Em And Smile"?
It is this tour that solidified the stage finess' of creativity in a band that previously, at least from the performance aspect, had been formulaic as they begin to deviate from the standard three set program they had used.
Written in 1928-9 and released first by Memphis Minnie I think in '30... ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-W5VmVvsjyKw.htmlsi=5DFeN8OAQrLx2HT5
Throw away? I get what you mean. It did come off as a bit inconsequential in the bigger scheme of things compared with all the other new more complex and powerful songs that were cut for the LP. Maybe that's why its on the fourth side? Still it rocked hard and I listen to it all the time. I think JP got a little carried away in the studio with trying to find yet another "sound style " for his guitar in parts of the song? Especially the solo which sounds a bit diluted and too melodic despite his great playing. The song is fast, nasty and fierce and the guitar sound on the solo does not feel like it jives with the rest of the song.. I think this why it sounds much better live with one sound on the guitar....just saying...
