Спасибо, Брат! Я с Тобой согласен полностью! И тоже ощущаю радость, счастье и воссторг от своего 4-ёх летнего сына Андрея, названного в честь его деда - моего отца - ветерана Великой Отечественной и японской(1945). Мне -63 (Карелия - Крым)
Единственное приятное видео которое приятно было послушать и которое заставило меня улыбнутся.Мне 46 и у меня дочка 1.9 долгождпнная.Очень много переживаний последние года за будущее.Спасибо вам вы поднчли настроение
У каждого свои ценности.. В наше время, многие люди не замечают обычного человеческого счастья. 😔 Вот например моя история.. Мне 41 год, живу вдвоём с сыном (14 лет), в Ростове-на-Дону. Я не пью, не курю. Жена ушла 4 года назад, просто так, сказала хочу жить одна, вместе прожили 10 лет. Она уже 3 года даже с сыном не общается и не видится, хотя всегда была хорошей матерью. Когда жили вместе она не гуляла, не пила, не курила. Вместе взяли ипотеку в новом доме, спустя год она ушла. Теперь живём вдвоём с сыном в ипотечной квартире. Была семья, и не стало 🤷♂️ А тут смотришь, мужик при машине, при деньгах, а для счастья ему совсем другое нужно. Счастья и здоровья этому мужчине и его семье ❤
@@user-wh3pz7fh5e I hold this opinion as well despite not having seen him dance live. I've had the opportunity to witness Riccardo from a few feet away; we were both practicing on the floor for our respective events. Riccardo is textbook in action - every single muscle working the way it should be, an absolute inspiration to watch. What Franco demonstrates is all of the above, plus an innate sense of rhythm that you get to see particularly in the fast dances like Samba and Chacha. He is likely the most rhythmical dancer after Bryan.
Похожи как братишки! ❤❤❤ какая радость! Мой мелкий тоже так радовался когда старший из армии пришел, а старший слезу пустил когда младший присягу принимал .
Excelente demostración cuando llevan carga es mejor este carro está hecho para la humedad no sé corroe fácilmente su carrocería fue adaptada diseñada para mal tiempo yo estuve para las años 80 en Rusia me quería traer uno a Nicaragua en Nicaragua me di el gusto de andar lo por mucho tiempo Ahora quiero que los rusos me regalen uno que estoy en Panamá un Hunter Jajaja
Ese vehículo es un vehículo de trabajo es para trabajador un vehículo yo lo tuve en Nicaragua ese es un tractor ligero su 4 por 4 lo hace ser invencible y una fuerza extraordinaria tanto para cargar como para jalar S 4 por 4 cuando están aplicadas las cuatro ruedas no lo comparo con muchos vehículos aún en Land Rover de los años anteriores eso le queda corto al Hunter RU-vid Land Rover tuve Las Cruces y yo menospreciaba el W Hunter pero era sencillo pero me di cuenta que la electrónica y todos los lujos no sirven para nada en el campo y se volvió a mi caballo de pelea
How did you feel when those 2 Russian couples did not make the finals in the IDSF 2003 championship? I was about to pull for them in the semi finals. One couple's lady from Russia had great leg extensions in the rumba discipline dance in her choreography. The static leaning arabesque she did that looked like a vertical split was amazing. I liked that couple and I wanted them in the finals - but they did not make it there. I was disappointed. If I were the judge in that competition, I wanted them to be in the finals. Were you disappointed when the Russian couples did not make the cut to the finals? When that happened, I had to pull for the American couple who had Russian ties before they turned into Americans. There is a silver lining - the American finalist couple was formerly from Russia, so be glad, Arthur. :) :)
Отлично тачка огонь я тебе завидую в следующем году наверное тоже возьму тоже черный по цене цена кочество равных нет сейчас гранта тоже хороша. .но джып хочется на импортный денег не т .тоже как ты по говнам погонять мечтаю
If I were commentator Karyn Hardy, when I heard the music of the samba in the first dance, the group samba in the semifinals, I would say something like this..."The samba was derived basically from the Carnivals of Rio de Janeiro and the greatest carnival Samba superstar and singer of all--which was Carmen Miranda. An European envoy from the Imperial Society of Teachers of Dancing was sent to Brazil to observe the Carnival samba movements, and when that envoy went back to Europe, they modified the movements of what was carnival samba to the ballroom, and with that, competitive International samba dance--also known as the 'modern" samba, was born. The character of the samba dance should be treated like a party and having a good time, with cheeky gestures, lots of hip-shaking and shimmying, and in addition to in-place movements you saw from the competitors involving rocking and checking actions, like the Open Rocks or Rolling Off the Arm, the samba is known for traveling movements like the promenade runs, reverse roll turns, promenade spins with zig-zags, travelling locks, and almost taken out of the paso doble steplist - pivots, particularly the windmill and helicopter pivots. Some of those dancers are using such pivots between the famous promenade runs....."
Congratulations you just spoke over the music and failed to talk about any of the couples for the entirety of the dance while 99% of the viewers already forgot what you said.
Katsevman and Manusova from the USA had a great solo samba final routine- hearing that they had Blackpool experience. They weree dancing to the same samba music like Formica and Nikiforova did. But the big mistake that they did at the 23:44 mark was they continued dancing the samba after the music fades out. Generally, even though I never read the IDSF rulebook, I think when you hear the music fade away or end and the PA says "Thank You Dancers", you need to stop your dance action after about 3 seconds and acknowledge the audience. You go past that 3 seconds after the music is over and you continue dancing without stopping, the judges will penalize you one place or up to a few places in the rankings, especially in the finals - down to last place. Go over 5 seconds after the music stops and you continue dancing, that is a flagrant foul - and it would be a disqualifiable offense, and you won't even place last - you would be out of the competition for sure, and it would be a 5-couple final, not 6 (similar to soccer). So my hunch is that the American couple continued dancing after the music for 5 seconds and they did get penalized - not disqualified - but they lost placing, and did not win the finals. They would have won 1st place if they stopped dancing as soon as the music was over.
"So my hunch is that the American couple continued dancing after the music for 5 seconds and they did get penalized - not disqualified - "but they lost placing, and did not win the finals. They would have won 1st place if they stopped dancing as soon as the music was over." Biggest bunch of nonsense I've read in a looooong time.
@lindenly22, your comment is ridiculous, the fact they danced a few seconds after the music stops had nothing to do with scoring and judges would never punish couples for such an irrelevant thing.
Formica and Nikiforova's solo samba - their winning combination in the finals, I saw them.... They start out with solo very quick underarm spins into checked rocks (lady's meltdown swivels) and boomerang, hip bump check into Man's quick solo spin. Lady's double spinout to Challenge, man encroaches into closed to open PP explosions and into the classic CPP/PP runs. Then to lady's Maxixe hop opening out check to close - crossbody out, opposition solo spins to Challenge rock ending. Then rolling-off spin switching PPs, and then approach to CPP/PP runs, windmill-rolls with R pivots, L drag close and whiplash explosion. CPP Travelling locks to swivel check, hip-bump rock syncopated. Advanced Natural Top, advanced spinout to Open Facing Drag to L, and then shoulder shimmies by both dancers in Challenge. Lady's check to man's double spinout and back to Side by Side Challenge for advanced kick/botafogo combination, then to man's/lady's double solo spins. Then opposition curved runs to Closed Hold a few more lady's Spinning off the arm sequences after the man checks him with lady's lunge in L open shadow position. This is how I saw that dance unfold....
I had been dancesporting as a Dancing Illini amateur competitor from 1996-2002, watched a lot of "Championship Ballroom Dancing', and took about 8-9 years of group ballroom dance lessons. Mileage from my constant social dances involving dancing in anticlockwise form (quickstep, foxtrot, polka) - probably up to 200 miles in the past after 11 years of social dancing. Competed with Michele Stoehr in the Chicago Crystal Ball in 2003 (as cut-throat a competition like the IDSF you see in the video) in 5-Dance International Latin but like the 2 Russian couples in the Ice Palace, we did not make the cut. In fact - 2 of the 7 adjudicators at that Crystal Ball were Pierre Allaire and Mireille Velleux. World-class dancesporters in their prime. Michele and I regrettably now have no more partnership in ballroom dancing. Then I became a bit of a self-proclaimed ballroom analyst after I watched a lot of RU-vid videos that featured ballroom instruction. I am also a musician (so I had the best musicality - which is important in competitive dancing), and my favorite Latin dance is the samba, still is, even though I do not yet have a new second partner.
Oops - I overlooked something before the "advanced kick/botafogo combo" - I think the movements the couple did are either called batukada-style kick ball changes syncopated or syncopated kicks with quick closes with movement to the L (but I think these are batukadas with swivels), and I think the count in my mind is "a 1 uh and, a 2 uh and, a 1 uh and, a 2 uh and." The batukada and its variations seem to be popularized by the great Latin dancer known as Donnie Burns. We all remember that.......
The first cha-cha song you hear - well, it is called "Bonita y Sabroso" (or Beautiful and Tasty), originally done first by the Los Gigantes del Latino (Giants of Latin). I grew up with as I was a buff of both social dance and dancesport!!!!
