my favorite part is Yuki acknowledging that Zakurou's illusion in her dream was just her crying for the moon, in other words, DTRBH1 can be interpreted as Yuki granting Zakurou the so called wonderful everyday she always sought, and then discarding it at the very end since she realized it's not how reality works, that she probably must live in the world as it is and not chase a form of illusionary happiness to escape one's sorrow.
can anyone explain the "white world sequence" at the end of dtrh 1. I'm completely lost about how it significantly implicates a greater message throughout the whole series
The real name is: Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Mártir Patricio Clito Ruiz Picasso
Their relationship would have been like when they lived together after she got back from Cordovia. Drinking 24/7 and she probably would have ended up overdosing like Sarah Lynn
Thank you , you were the one who gave me life I always ᥫ᭡ you i'm sure I was just nuisance but i'm thankful that I was able to meet you again in this world i'm thankful that you Let me experience something so wonderful. Even as I was walking this Road that I must walk alone In my short life here In this world that you call an illusion. I Made many memories Even if It Is an illusionary world they're the Best memories I have Even if It Is just a cheap good for nothing dream world . Even then the Time i spent with you... Every day was wonderful.
The prophecy/commandment was actually misunderstood by the Witches and Lumens. The intersection that it warns against isn't referring to Cereze or even a human, but to the attempt to rebirth Jubileus by using the Eyes
“Miss me, baby?” Everyone while seeing the Bayo 3 trailer: YES WE DID QUEEN Also, Jeanne’s “motherfucker” is hilarious when you remember Bayo 2 is on the switch
Bayonetta 2 should've been released on the PlayStation 4, and Bayonetta 3 on the Xbox Series X. Her franchise's content isn't suitable for Nintendo consoles.
