Yeah, this is bit older now; check out page 8 of this document: tinyurl.com/bar-img It reviews the layout of the HD version Full Text: www.arib.or.jp/english/html/overview/doc/6-STD-B28v1_0-E1.pdf

Looks like the ACK05 replaced it (that's the updated model)

@@theAVcoach do you know of an alternative? The newer version really isn’t designed as a remote that you would operate in your hand.

@@StormChaserok Maybe try this? www.bhphotovideo.com/c/product/1658892-REG/xencelabs_k02_a_quick_keys_remote.html

Thanks, Curt! About 20 students create content like PKGs, VOs, VOSOTs, and scripts as part of this particular class. On show days, they transition to studio roles to put it all together. For many, it's their first production course, so initially, they rotate through all positions to develop technical skills while learning ENG/EFP and the rundown/script software. This helps them understand how each position contributes to the program. If you get a moment, send me an email sometime and I'll share a blast from the past you'll get a kick out of seeing haha!

@@theAVcoach Thanks for the reply! One more question, when students are learning the equipment, do you do show segments other than news? Like an interview, panel discussion, game show, etc? Or do you just stick with news?

@@curt118 In the past we have...we've done round table discussions, interviews, debates...I've pitched the game show concept but we've never tried that one :-)

😳 That's funny. I thought he was "Baxter" from "Mom". 😂

Only a dual receiver will work in that case and you'll either have 2 XLRs from it or it'll feature a digital slot-in connection (which this camera doesn't support). All wireless mics need to be 1-1 with their pairing (transmitter to receiver). That's why in motion pictures there is a location sound dept that is mixing and handling all of the wireless on set and either combining that or capturing as a multi-track recording for later sync and post work. In this case you would need 2 receivers and 2 mics tuned to different frequencies. Each receiver would then be connected to its own XLR input on the recording device/camera.

@@theAVcoach in fact I got it to work. The cable from the wireless receiver is a TRS male to XLR male splitter cable. It splits into 2 XLR males. One XLR male to each mic port on the camera. When I put one transmitter on ch 16 and the other on ch 19 everything worked. Mic #2 volume was slightly lower so I adjusted that on the camera. When I had both mics on the same channel the sound was terrible.

@@mophotodetroit Sweet - yeah if it is a splitter and the unit can receive and output both separately you should be good to go then; glad that worked!

The test will be April 19th. I’m filming a kickboxing event at Motor City Casino. Normally I’m a ring photographer at pro boxing. Cross your fingers for me.

I am convinced that having the 2 transmitters use 2 different channels was the fix. One on channel 16 and the other channel 19. Before I had each on channel 15. That caused a problem. After separating the channels the receiver or the camera figured out what was going on and sent one signal to mic input port #1 and the other mic input port #2.

Licensed via www.megatrax.com/tracks?tracks=mx323-55

@@theAVcoach thanks so much!!!

Couple of things to try: 1) You could use the Custom Control app from A&H to create your own custom array of buttons/sliders etc. linked to the tasks you are looking for control over if you want a free solution outside of Qlab and can utilize a device with a touch screen such as a tablet or phone (it just has to be on the same network as your mix rack) 2) If you utilize Qlab scenes/presets as a bank of options, you could map those to specific buttons on an external control surface similar to an Elgato Streamdeck or the like and then have push button controls over some of those parameters if you map such functions using the MIDI/hex documentation I linked in the description from A&H

Sorry i should have mentionned i use QLab, since your video is on triggering scenes I am trying to figure out how to access only faders and buttons so I can for example lower a fader level automatically within a QLab music cue.

@@josuebeaucage4294 Got it; that’ll be a bit more involved because those require NRPNs. So in Qlab that means changing it from a series of MIDI voice messages to SysEx. So let’s say I want to reduce my input on channel 1 by 10 db on its fader in the LR mix on MIDI channel 12. I think this is how you would program that message in Qlab. BB 63 00 BB 62 17 BB 06 57. I’ll break that apart for you from left to right by grouping below… B (don’t change this) B (for MIDI ch 12 so if you look at the guide 13 would be 0C and you just omit the leading 0) 63 (don’t change this) 00 (this would be your input channel number so in my case input/ch 1 = 00; but ch 65 would = 40) ----- B (don’t change this) B (again for MIDI ch 12) 62 (don’t change this) 17 (don’t change this - I believe this is the parameter for adjusting the specific channel vol) ---- B (don’t change this) B (one more time for MIDI ch 12) 06 (don’t change this) 57 (this is the amount of the fader level change so for instance +5db = 74) I haven’t tried this so if that doesn’t work you might need to split it up into 3 control changes/messages (for the dLive) like I did in my video here for the scene recall. I hope that makes sense and helps. Let me know if you try it out and get it to work before I do; I’d be curious as I’ve never had a need to do that yet! :)

Hey, amazing answer, I’ll try it out pretty soon for a theater act and let you know. Thanks again for your time sir.

@@josuebeaucage4294 I'll break up the parts of the message in case you can't do Sysex with it; read the bottom left portion of pg 2 on the PDF from A&H I linked in the description and then use the charts as a reference for the Hex values on the last page of that PDF

Absolutely and those also work well for older electronics where the plastic has become a bit sticky...mix up a paste of water and baking soda or use rubbing alcohol then clean it off with a toothbrush to make the item good as new