Wenn die Keile genau eingepasst sind braucht es keinen Leim. Wichtig ist auch, dass der schrägschnitt mit den Kästchenwänden übereinstimmen. Das Holz darf nicht zu weich sein. (Ahorn!)
for 14:53~ on, can you please instruct what kind of glue do you use to apply on the hair knot? Is there any brand of glue that come with the small-brush cap? If not, where can we find a bottle with brush?
at 20:16 mark, that two pieces of curved metals are so fit for frog to hook on to, so we are ready to comb the hair. Can you please describe it that how and where you prepare to make this device of 2-piece metal hooker?
Thank you for sharing your method of rehairing a bow. It is interesting how each person have their own little variants on achieving the same result, a properly rehaired bow. :)
I like the detail on the bridge cutting. But I'm very meticulous about how I handle a musical instrument especially someone else's. I get very upset when I see people not treating them with respect. When you're handling someone else's musical instrument whether it's a $30 cheap violin or a million dollar Stradivarius you should be respectful enough to treat them exactly the same. Your workbench should have a soft clean cloth that will not damage the instrument anyway not even the slightest scratch. And he used that pencil to scratch the surface of the violin that really bothered me. The noise it was making a loan told me he was leaving marks in that finish. Even after he rubbed the Mark's off I could still see white marks that were permanent. He was also dragging that violin across that wooden bench I could hear the friction coming from it. That may not have bothered other people but that's struck a real nerve with me. It's one thing to have that kind of mentality on your own instrument but you should never treat somebody else's instrument like that for any reason. They make grease pencils that do not harm the finish in any way and can be easily wiped off. When I custom fit a bridge I'll put a really thin piece of cloth over the finish and a piece of sandpaper over that and custom fit the bridge that way that finish is not harmed in any way. I know people may disagree with me but it seem like a bull in a china shop the way he handled that violent at times.
Vielen Dank für ein AUSGEZEICHNETES Video, das den gesamten Prozess des Borstenwechsels in einem Geigenbogen präzise und detailliert zeigt. Mit Dankbarkeit und Wünschen nach Wohlstand und Glück ein Student aus Polen.
Ich habe Ihre Arbeit mit großem Interesse verfolgt. Drei Dinge haben mich fragen lassen: 1. Warum ist der Stimmstock nicht umgefallen, als Sie die Brücke entfernten? Wird der Stimmstock unter Spannung bereits vorab zwischen Decke und Boden geklemmt ohne dass auf die Decke die Last der Saitenspannung liegt? 2. Die vielen filigranen schnitzarbeiten wie Ausschaben und Anfasen, dienen die eher dem Klang oder mehr der kunsthandwerklichen Optik? 3. Gibt es ein Sollgewicht der Brücke? Welches Gewicht hatte die Brücke vor und nach der Bearbeitung?
I have a question: Do the decorative looking cutouts, on the bridge, serve any purpose other than aesthetics? I wondered if they could be to save some weight, or that they may have some effect on the transmission of vibrations through the bridge, and into the spruce face plate?
jai un chevalier inclinee tendue a cause de leur durie de temps. quand jai positioner et je tendue les cords . il descende. que dois je le fairepour reparer car il est un micro integrer tres chere ? merci
Thanks for this great video. I wonder if you have also altered the hearts? Also my violin has a wolf on D string at roughly A note, same with high position on G string. Is there any recommendations on altering the bridge to eliminate it? Thanks very much.
Thanks for this great video. I wonder if you have also altered the hearts? Also my violin has a wolf on D string at roughly A note, same with high position on G string. Is there any recommendations on altering the bridge to eliminate it? Thanks very much.
Es können sich nicht alle Streichinstrumentenspieler gleich einen Meisterbogen leisten. Ach Anfänger haben Anspruch auf eine anständige Behaarung. Zudem ist das Behaaren von einfachen Bogen oft anspruchsvollen als von Meisterbogen, da die Kästchen erst noch nachgestochen werden müssen.
All wrong! Wrong sequence, wrong preparation, wrong camera work. Amateur performance. Please, read historical documents how to do this thing. Nose first, then tail.
@@danielschranz3193 Nose first, then tail. Thick bow hair must be at bow's top end and going to be installed first. And I see too many hair. The bow will be overloaded. Here is the video how to do this the right way: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-AvzxdueIMrM.html
@@steveburnt2397 Frog first, much easier and with fewer crossed hairs...to each his/her own though. The video was excellent..see master bow maker Gilles Nehr 4 videos...ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-atOxg0gRKxs.html , Daniel and Gilles both masters, methods vary only slightly, results great!
@Steve_Burnt hey buddy, you must be in the top 10th percentile of most stupid-dumbest people on the internet and here's why: You have Zero skills at both making videos and violins. You haven't made any content on your chanel. Your lack of videos says that you don't even have enough skills to even be bad at making videos or violins, yet here you are. Declaring how stupid you are from the comfort of your keyboard. How about the next time you feel like trolling, stop and think. You should assume that the other person probably knows something that you don't. When you troll like your comment here, you miss out on an opportunity to improve your own knowledge. But that's only sad *if* you value knowledge. Heck, you might not, but give it a try anyway and see if you learn something.
