No me canso de escuchar esta interpretación magnífica de Julia Lezhneva... bravisima !!!!! que maravilla de voz, de dulzura vibrante, de técnica vocal!!
Почему ей не вытащили звук, что за педагог у неё был, не разглядевший в этой девочке ее необыкновенные возможности при правильной постановке этого чудесного голоса, сейчас она, к сожалению много потеряла от своей природной красоты, звук заглубляет все больше и больше, а свободы меньше и меньше.
The Chief: Where on Earth is Carmen Sandiego? Woman: Where is Carmen Sandiego? Man: Carmen Sandiego, Woman: Where on Earth can she be? Man: Tell me, All: Where is Carmen Sandiego? Woman: Oh, Carmen Sandiego, Chorus: Where on Earth can she be? Where on Earth can she be? Ooh, ooh, ooh, Woman: Sphinx, Mona Lisa, Man: Leaning Tower of Pisa, Woman: London Zoo, Man: Timbuktu, All: Can you help us find a clue? Chorus: Oh, where is Carmen Sandiego? Carmen Sandiego? Where on Earth can she be? Where on Earth can she be?
Une séquence de danse follement moderne et originale mais qui va tellement bien avec la musique ! Cette mise en scène de Platée était réjouissante et séduisante !
La mejor interpretación!!! Se apropio del rol, y su expresividad es tan genuina que uno no ve otra cosa que lo que quiere expresar, brillante voz y talento artístico!
Zeffiretti, che sussurate, Ruscelletti, che mormorate, Consolate Il mio desio, Dite almeno all'idol mio La mia pena, e la mia brama. Ama risponde il rio, Ama risponde il vento, Ama la rondinella, Ama la pastorella. Vieni, vieni, o mio diletto, Già il mio core tutto affetto Già t'aspetta, e ognor ti chiama. You little whispering zephyrs, You little murmuring brooks, still my desire, - at least tell my loved one how much I suffer and long for him. Love, murmurs the river, love, whispers the wind, love, sings the little swallow, love, chants the shepherdess. Come, come, oh my beloved, my heart is full of tenderness, I am waiting for you, never stop calling you.
At the time there was a dispute between the supporters of the traditional French style (Lully) and those of the new Italian style (Pergolesi). Rameau fighting from the traditionalist camp, comes out with this French comic opera, much in the Italian style, and here he's making fun of the long and exaggerated vocalizations of the Italian style.
^ Interesting perspective! I suppose her chattering-like singing (his writing) is like laughter and kind of an exaggeration of the vocal acrobatics so commonly found in the Italian vocal style. In addition to other things.. 😂
