Parece increíble que está versión del fandango no tenga más de un millón de visualizaciones. Magnífica interpretación.
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Excelente. Soy luthier en Argentina, y busco un mecanismo inalámbrico para amplificar la guitarra. Ese botón negro que se ve en la tapa es el captor o micrófono? Podrían darme datos sobre donde se puede conseguir? Necesito amplificar una guitarra de 8 cuerdas que se presentaría al estreno de una obra con un cuarteto de Contrabajo, Violonchelo, Viola y Violín. Desde ya muy agradecido con su música, puedan o no darme esa información. Felicitaciones!
At the beginning the video displays "Von" Beethoven instead of van Beethoven. Beethoven inherited "van" from his father and grandfather. In other families it would be "von" e.g von Goethe.
Beautiful! Best rendition on any ensemble of instruments I've heard. I always thought that the combo of guitar and string quartet wasn't quite working, and this rendition proves it, giving much more tonal unity to the various voices. Also, great use of the guitar's timbres and percussive possibilities.
Preferisco di gran lunga la versione del quartetto di chitarre al quintetto di archi, o peggio, chitarra pianoforte... quì c'è un vero equilibrio timbrico/dinamico. I much prefer the guitar quartet version to the string quintet, or worse, piano and guitar ... here there is a real tonal / dynamic balance. Thanks for sharing
I disagree. The Tradicional Fandango is only played with guitars, and castanets or palms, but Bocherini was a composer of the Spanish Court. That is why I think that the most faithful Melody to its composition is the one interpreted with a string quintet + Castanets (Violins, Cello and Guitar + Castanets) ... without Pianos, harps, tambourines etc. Also the fandango is an energetic dance rhythm, not melancholic. I think they play it a bit slow, it's a good version but it's not the best, at least in my opinion.
@@tessartero5758 La tua opinione prende spunto da una motivazione filologica e storica. Molto comprensibile. Ma io parlo di gusto estetico, parlo di equilibrio di timbri e dinamiche. Purtroppo il chitarrista (cioè, io) soffre del complesso "di sordità" rispetto al volume di quasi tutti gli altri strumenti. Ho studiato il concerto "Para Gentilhombre" e dinnanzi a passaggi virtuosistici della chitarra, davvero difficili, ci si rende conto che a pubblico e orchestra non arriva, praticamente, nulla. Questa è una mia opinione, che non vuole certo azzerare tutta la letteratura per chitarra in ensemble o con orchestra... Your opinion is inspired by a philological and historical motivation. Very understandable. But I'm talking about aesthetic taste, I'm talking about the balance of timbres and dynamics. Unfortunately the guitarist (ie, me) suffers from the "deafness" complex compared to the volume of almost all other instruments. I studied the concert "Para Gentilhombre" and faced with virtuosic guitar passages, which are really difficult, one realizes that practically nothing gets to the audience and orchestra. This is my opinion, which certainly does not want to eliminate all the literature for guitar in ensemble or with orchestra ...
@@oronzo.persano.youtube I am with you on this one, sir, with great sympathy for your view. I admit these guitar players surprised me, but it was a pleasant surprise.
