We believe that anyone can learn how to produce music. On the Thomann Bedroom Producers channel we want to make that process as accessible and fun as possible. The content of our hosts Andrea Cichecki and Sensho covers a variety of topics, from the basics of music theory to advanced sound design and beatmaking or mixing and mastering techniques. Our gear reviews will help you make the best decisions on what gear to invest in - whether it's the latest drum machines, recording software or audio interfaces. We put these products to the test so our community can start producing hits.
@@ARCHVILE_DRS It just sounds like someone's child is repeatedly turning the volume up and down, creates this suck-and-blow effect in my ears, it's beyond aggravating and immediately ruins a song for me.
I really liked the use of Phaser in that final P-Funk style tune. Appropriately sleazy lol. I tend to use it primarily on hats, a nice splashy open-hat especially, or cymbals but definitely gonna try it automated over the Master for candy.
Great examples, Thanks for not covering the usual generic guitar and acoustic drums. I have been trying to find examples of what this sounds like on electronic music, and this helped a lot
I haven’t tried making anything in this genre before, but I certainly enjoyed not only the process as you so eloquently laid out, but also the end product, as well. It’s super chill and at the same time bright and happy, without being boring. You make it look so easy! Thanks for sharing your expertise and I look forward to more excellent content from you in the future.
Probably as good as a Lewitt 240 ... but double the price ! Definitely not the best choice for the money. Spend 339 € in Austrian Audio OC16 instead and you'll have a faaaaaaar better mic.
That was a lot of fun and very surprised how great this really affordable mic sounded! I barely had to do anything with most signals in the mix. I wouldn't mind a pair! :)
