Willkommen bei Swing Base, die authentische Tanzschule für Swing in Berlin. Lerne Lindy Hop, Balboa und Charleston bei uns! Mehr Informationen: www.swingbase.de
Just excellent. I look for "close quarters swing steps like this." Almost all YT swing dance videos assume you have the whole dance floor to yourself. If I have 2x2 meters that's a lot at most dance events. 👍
Merci pour ces belles videos. Toujours tres satisfaisante, avec de precieuses information techniques. Seul bémol, j'aime les comptes, mais bon ça ne gache en rien la qualité des vidéos. Merci.
Your fingers will die!😒 Great vid, you two are very helpful. 4:15 is how I was taught - very rigid, squared up in front of the lead. The reason I am here, the way I was taught is not working at all for me...
Hello Elise et Rija, merci pour la vidéo ! Je cherchais une vidéo pour revoir le airplane et je repars avec une nouvelle passe 😂 Hâte de l'essayer en social. Vos explications sont claires et vous degagez une tres bonne énergie, bonne continuation 😁
Hi Elise and and Rija, nice videos i see from you! Can i ask what is the difference between leading the turn in step step into Jig Walks and into Drags? What should the leader lead and the follower feel in the two moves entrance?
Haha there is no Rija and Elise here. Only Clement. Either you stay up and go into jig walk (kick alike) or you drag your partner to you and initiate a weight change 😂
@@SwingBase 😬🙏🤣 So, i think you mean leaning a bit backward to shift weight (as leader) to go into Drags. Ok, thank you. Sorry i see many videos from them here, i thought they were part of your team. 💃🕺
Can i ask you how the follower feel to go on step step in bring in after the "freeze" on send out and not use a triple step? How can i comunicate that as leader?
It is about pace & rotation. A triple step would have a rather slower pace than a step step. Another way to explain is to give less time to travel and a step step is then more appropriate.
@@SwingBase thank you for the fast reply! I understand what you mean. And i can manage that. But, if you have time, i also know that is possible to make the follower rotate with a triple step giving more "oomph". So now i imagine that there are three types of input i can give as leader: 1) Lower energy she bring in triple step 2) More energy, so less time to travel as you said, she goes in step step. 3) More more oomph She would turn in triple step. I'm right?
@@SwingBase thank you! And i say hello to Clement by Cristina, she started ten years ago with you lindy hop in Berlin. I met and dance with her in Italy now, in Lecce. Thank you again for your reply. 🤗
This is a beautiful combination of moves that is well explained and demonstrated. And in addition to the barrel roll, there are also other options for bringing the follower back to the leader. I look forward to exploring those options! Merci!!
Great move, thank you! Can someone explain, right after the twist-steps, how should one lead the difference between doing triple step into close position vs. doing step-step into circle? How do I communicate to my follower which one is preffered?
Basically about keeping a step step pace from the rotation and not releasing the energy, which lead you into a triple. Also the catching afterward helps prolongating the steps. Hope, it helps ;)
Hi Elise & Rija, beautiful lesson, thank you for your clear explaination! Can i ask if is possible to tell me how to get into dip after the hip catch or instead guide the follower into a triple step? If you can watch this video ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-q6gB8WBHj_s.htmlsi=FFzKzAEKlVcEl4Hy&t=320 at 05.20 there is an hip catch in swingout wich goes into a step-step + triple step to close. Beside the fact that the starting move is different from yours the hip catch seems the same, how to guide the two different endings? Thank you in advance.
