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Played. This. Night. And. Day. And. Smoke. Gets. In. Your. Eyes. Fell. In love. With. This. Gal. Back in. 1980. Still. On. My. Mind. After. All. These. Years
Yes, this was lena Horne'sdebut 'single' in 1936. Considered the 'A side' . It wasn't a top 40 hit but it got her some notice in the industry to start with.
Django is stuck with the Gypsy Jazz label which gives people the impression he was a one trick pony ad doesn't,t do him justice he was a hell of a lot more. He didn,t know he was playing Gypsy jazz he played the way that was natural for him it was the guitarists that followed in his giant footsteps that give it the name and laid down the rules. Django never stood still he was always 2 steps ahead of every body. Always exploring new ways of playing. Listen to his final 53 recordings you can hear be bop
In "The Jazz Years," Loenard Feather talks about producing this session for the third edition of the Esquire All-Stars, that included Duke Ellington, Johnny Hodges, Charlie Shavers, Jimmy Hamilton, Don Byas.
In "The Jazz Years," Leonard Feather, who produced this 1945 session with a band that included Bird, Diz, Flip Phillips, Tadd Dameron, Curly Russell, and Max Roach. Peggy Lee and Dave Barbour wrote the song.
In "The Jazz Years," Leonard Feather, who produced this 1945 session and wrote the arrangement, credits Jessyca Russell for the lyric. The band included Bird, Diz, Flip Phillips, Tadd Dameron, Curly Russell, and Max Roach.
In "The Jazz Years," Leonard Feather, who produced this 1945 session, identified the players as Bird, Diz, Flip Phillips, Bill DeArango (pno), Curly Russell, and Max Roach.
In "The Jazz Years," Leonard Feather recounted producing a 4-tune session on New Year's Eve 1944 that included this tune. Feather wrote the chart and played piano, for a small band that included Aaron Sachs (clarinet), Georgie Auld (tenor), and Dizzy Gillespie. He said that a lyricist, Jessyca Russell, brought him a couple of tunes, including this one.
El golpe militar de 1943 le cambio la letra a varios tangos , para borrar giros idiomáticas. En esta versión sacaron " ....solo, pato y hecho un gil). Cosas increibles
Cette chanson enregistrée en 1939 deviendra" la chanson du siècle et son hymne préféré " le halo d'une seule poursuite éclairant son visage sur cette strophe si terrible: " Here is a strange and bitter crop ". Malgré ses souffrances endurée , elle ne lâcha rien et donna une belle leçon de vie . Une femme très courageuse et de caractère pour l'époque...Le jazz est fabuleux et j'adore . Je vous remercie sincèrement ,ce sont des trésors toutes ses chansons 🌹🕊✨️🙏💫⭐️🧚♀️💐💐💐
Music by Floyd Bean (my uncle; see Wikipedia), lyrics by Eddie Stone. There are two versions; one Bean is playing piano, the other played by Jess Stacy.
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker, Ray Nance - tp; Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones - tb; Russell Procope, Johnny Hodges - as; Jimmy Hamilton, Al Sears - ts; Harry Carney; Duke Ellington - p, comp, arr; Fred Guy - g; Oscar Pettiford - b; Sonny Greer - dr. _Jul 9, 1946, Los Angeles, RCA-Victor_
One Hour With You, is perhaps on the finest ballads composed. I dont think I've ever heard a "weak" rendition of and that includes this "Chocolate Dandies" 95 yr old recording which might be among the earliest. I just let myself go, and it brings a wistful tear to my eye.
The reason i think many people don’t comment is because they’re just old people. And i find that just so cool that RU-vid can let people listen to such stuff for free.
