Nuno Marinho is an Award-Winning Jazz guitarist, and composer of the albums "DNA" (2014) and "Letting Go... The World Of Make Believe" (2015). After leading an acclaimed Tribute Band for the "Pat Metheny Group”, he became the #1 musician in Portugal for Gypsy Jazz and Django Reinhardt’s music.
As a music investigator, he published jazz articles, album reviews and interviews at “Jazz.pt” magazine and international websites such as “All About Jazz” and "Django Books". A career dedicated to the pedagogy of the guitar, harmony and musical theory made him develop meta-learning processes on Maximizing Performance, which helped hundreds of guitar students to thrive in music.
Check out www.NunoMarinho.com for more concerts, classes and store.
If by dominant you actually mean a 7 chord (which is what I think you mean) then sometimes you can play the dimi arpeggio from the flat nine. Sometimes. It’s best not to make such general claims when they obviously do not hold.
Really great transcription very close to Django (maybe the closest i've heard on RU-vid). Whish i learned the solo off this video when i started playing a year ago
Thanks mate, I appreciate it :) I've been transcribing Django's solos for quite some years now, and I always look for the best realistic fingerings that enhance the phrasing and the sound Django achieved. That's the most important thing, the feel, the expression. Check out www.NunoMarinho.com for more ;)
BIRELI plays this lick using sweep picking. I'm not. And if you happen to play Gypsy Jazz in a Manouche guitar, you'll probably understand how difficult it is... this is not an electric guitar.
Ciao, video molto interessante... Ho notato che questo tipo di pickups danno suoni molto diversi anche in relazione a quanto vengono premuti sulla chitarra e quindi a come vengono incollati. Come risolvi questo problema?
