UTS Kung Fu Club (UTS KFC) is a martial arts based club that enables everyone to learn Kung Fu, share their knowledge on Kung Fu and understand the spirit of Kung Fu in Sydney, Australia. The club will also broadly touch upon general fitness and Chinese culture. All members are encouraged to learn, discuss and reflect upon what they are taught from instructors and peers.
Training times are: Monday 6-8:30pm (Jones St outside TAFE) Wednesday 6-8:30pm (Jones St outside TAFE) Friday 6-8:30pm (Multipurpose Sports Hall Dance studio Building 4)
UTS KFC Website sites.google.com/site/utsjingwu/
UTS KFC Facebook Group facebook.com/groups/utskungfu/
UTS KFC Forum southsite.123ubb.net/f11-uts-kung-fu-club
These are sword dance moves only, and they do not have any real value in combat. Student practitioners have to gain experience from real combat sparing.
Musashi said that you can learn to perfect your art through viewing the skills of other practices. While the sword I have trained in is katana and korean gong this has helped open my eyes to new maneuvers. Even with two hands at times and just the single edge
Loving the brutal application @0:30, for something flashy, it goes to show you that you don't have to strictly follow the movements while applying it, as long the essence is there, that's what it most matters 👍🏽
Excuse me. I already sent email regarding enrolment for my son. I haven't heard from you. Is it possible for me to get the mobile phone number of the right person? Thank you so much.
"Fight like you were taught and you have a fair chance of being killed. Fight how you know your opponent wasn't taught and they cannot defend themselves." -Musashi, The Five Rings. I've been a fencer, a Kendoa and I've practice Wu Dan and Shaolin swordsmanship ranging from the Jian to the Dao. In all the sword fights I've been in through sparring and tournament there have been no harder opponents than those ignorant of formal training and its simply because they lack knowledge of the forms and therefore there is no form to defend from their lack of form. They swing wildly and you wait for an opening but they give nothing. Maybe a leg. Maybe they turn their back for just long enough. Maybe you can side-step and get behind their blade. The hardest opponents are the worst fighters.
stepping is acurate, but I see no grabbing the ground with the toes and why slump the shoulders? rounded and upright are some of the body requirements. This is not YSB.
@@tylerdotson6316this...plus it's more derived from a combination of Sun Style (which derived from Cheng Style) Bagua, and Ma Gui style. Yin Style bagua (as in Yin Fu), is very different beyond the original 3 palm changes. Besides all the dogma of those "rules" being pointed out by OP are useless if you can't apply these techniques. No one is straining themselves to remember if they are applying the "six harmonies" etc, etc, while they are sparring or drilling applications 🤦🏻♂️ (if they even spar at all).
@@Whiskey_Tengu I believe sun style was involved later- they studied together and shared tai chi and xingyi in congruence with bagua But Fu had his stuff prior to meeting Sun LuTang I believed he learned bagua first, wudang stuff then tai chi prior to meeting Sun It’s all good stuff tho to be honest lol
@@tylerdotson6316 you are correct, but "later" relative to what you're seeing here doesn't apply. If Zhairongi is the student by which this video's techniques derive from, he'd already incorporated whatever portions of Sun Style influence (since they were friends) into his Bagua, Tai Chi and Liangyi forms. I've studied with the grandson "Sheng Long" (Victor) Fu as well privately over the years and given the modifications he's since made, it's always enjoyable to see a moment in time from when the art was still being developed by Fu Zhensong. If I'm being discerning...I think the biggest influence from Sun Lu Tang, was applying the philosophy. According to Lin Zhaozen's book "Dragon Bagua", he wasn't very philosophical about the arts until his time with Sun, which makes a whole lot of sense, given what Sun Lu Tang is revered for recording and documenting with respect to the internal arts. His first art was actually Chen Style from Chen Fake's dad btw back in his village as a kid/teen. Amazing really all the absolute legends of old he had access to while building his own legend.
Hah, Ha, Ha This is not Yin style Bagua, Here is a link to the lineage carrier of YSB, of the Yin Fu Men Baozhen Xie peiqi He Jinbao lineage, of which I am a student. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-QRqGHk1HysI.html
@@Astral4820Everything is relative. I don't practice this style but I know the teacher here. He is not 'the weakest of them all'. He is a competent, experienced practitioner of his style and he has a diligent, good character. There are people who could bash him up and there are people he could bash up. That's not the point. I don't know all about bajiquan or which one is best but this teacher does know what he's doing.
Very strange opinion actually. May be you never seen Master Guo Nai Hui or Zhan Ke Jiang, Zhan Jiang Jun. Actually in tong bei system the best things are Baji, Pigua and Fanzi. Chuojiao not so good in this system actually. So sorry, but you incorrect in your opinion.
The real question is can you assure the cut or slice? There is a method, but it requires real neijin and courage, because real wudang takes place body to body. The outside wrist jab battles are what we teach beginners, and a real Wudang fencer will draw their blade back, forcing you to thrust, so that you can engage blade to blade. The "Wudang Essentials" manual is really the "Basics Manual", and leaves out essentials about strategy and how to apply for real use. I understand why they didn't want to pass that on publicly, but today almost no one practices enough to really be able to do it, b/c you have to be training full time for a decade at least, just to gain basic competency to free spar the real way, wood or metal, with no protective gear. But trust me when I tell you that slicing the top of the wrist is nothing, because the few tendons are protected by bone, so you should favor pricking with the point into the back of the hand because you might damage or sever a tendon.
Because I like UTS and I think you're sincere, and my lineage from Jinglin is the most famous, and sihing says we're "all one big family", I'm going to share a "secret" my Sifu taught me, which is to assure the cut or slice, you have to press the blade into the opponent's flesh, then twist the waist. You'll understand when you try it. That's why need intensive waist training to do capital W Wudang, and if you don't have access to Fu style basic training that comes down from Fu Zhensong, I highly recommend rigorous, intensive drunken boxing basic training morning and night. Drunken is almost certainly the first form of true internal boxing because humans have been fighting drunk since beer was invented. Drunken jian is also a great way to develop some real internal. #Sakra Amituofo!
You could watch more video to find out more :) I will recommend you to look at Keith Channel ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-aqtmv_Jg5Zk.html
good techniques are common across cultures, after all, we belong to the same species, we all have 2 arms and 2 legs, thus we all have the same range of motions that can be achieved.
@@lmichael4307 yeah, the mechanics of the human body is the same everywhere any time, but gotta say I expected it to be different, more distinct, with their cultural background and all, CMA are in large part different from HEMA
@@angelhurtado55 The angle is slightly different but depend on different Chinese Sword system. We only demo one of the system in here so we cannot represent every system in CMA. 😊 You could research Qing Ping , Emei and Kunwu.
@@angelhurtado55 I will said yes, i don't think is their are any different between that. There are a lot of fusion between western and local kungfu in early 20th . For example, Hung Gar Chi Fa Dao (Commander Saber). This is a form to use saber ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-kOfuScEIIyo.html
@@utskungfu thanks, had that question in my head for a while, I know the answer might seem obvious, but I had to ask somebody who actually knows swordmanship, so when I write a fight scene with a swordsman suddenly switching styles, I know that there is a certain degree of veracity and not just my whims at work
