The best, and probably only, RU-vid channel about Medieval Music.
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Mirko Virginio Volpe MUSICA MEDIEVALE ••• facebook: facebook.com/musicamedievale
00:10:21 02. Chant 2 : Versus Paulini De Herico Duce Mecum Timavi saxa novem flumina flete per novem fontes redundantia, quę salsa gluttit unda ponti Ionici, Istris, Sausque, Tissa, Culpa, Marua, Natissa, Corca, gurgites Isoncii. Herico michi dulce nomen plangite, Sirmium, Polla, tellus Aquilegiae, Iulii Forus, Cormonis ruralia, rupes Osopi, iuga Cetenensium, Hastensis humus ploret et Albenganus. Nec tu cessare, de cuius confinio est oriundus, urbs dives Argentae, lugere multo gravique cum gemitu, civem famosam predidisti nobili, germine natum claroque de sanguine. Barbara lingua Stratiburgus diceris: olim quod nomen ammisisti celebre, hoc ego tibi reddidi mellisonum, amice dulcis ab amorem, qui fuit lacte nutritus iuxta flumen Quirnea. Ecclesiarum largus in donariis, pauperum pater, miseris subsidium, hic viduarum summa consolatio erat: quam mittis, carus sacerdotibus, potens in armis, subtilis ingenio. Barbaras gentes domuit sevissimas, cingit quas Drawa, recludit Danubius, celat quas iunco paludes Meotides, ponti quo artat quas unda salsiflui, Dalmaciarum quibus obstat terminus. Turres Stratonis, limitis principium, Scithie metas, Stratie qui cardinem a se sequestrat utraque confinia hec Austro reddit, hec refundit Boreę, tendit ad portas, quę dicuntur Caspię. Libicum litus, quo redundant maria, mons inimice, Laurentus qui diceris, vos super unquam imber, ros, nec pluvia descendant, flores nec tellus purpureas germinet, humus nec fructus triticeos. Ulmus nec vitem gemmato cum pampino sustentet, uvas nec in ramis pendeat, frondeat ficus sicco semper stipite, fera nec rubus mala granis Punica, promat irsutus nec globus castaneas. Ubi cecidit vir fortis in proelio clipeo fracto, cruentata romphea, lancae summo retunsona iaculo sagittis fossum fundis saxa fortia corpus ingesta contrivisse dicitur. Heu, quam durum quamque triste nuntium illa sub die deflenda percrepuit, nam clamor ante orrendus per plateas lacrimis dignus sonuitque tristia eius per verba mors esset exposita. Matres, mariti, pueri, iuvencule, domini, servi, sexus omnis, tenera aetas pervalde, sacerdotum inclita caterva, pugnis sauciata pectora crinibus vulsis ululabant pariter. Deus aeterne, limi qui de pulvere plasmasti tuam primos ad imaginem parentes nostros, per quos omnes morimur, misisti tuum sed dilectum filium, vivimus omnes per quem mirabiliter. Sanguine cuius redempti purpureo sumus, sacrata cuius carne sumimur, Herico tuo servulo mellifluo, concede, quęso, paradisi gaudia et nunc et ultra per immensa secula.
00:00:00 01. Chant 1 : Versus De Bella Que Fuit Acta Fontaneto Aurora cum primo mane tetram noctem dividit, Sabbatum non illud fuit, sed Saturni dolium, de fraterna rupta pace gaudet demon impius. Bella clamat, hinc et inde pugna gravis oritur, frater fratri mortem parat, nepoti avunculus; filius nec patri suo exhibet quod meruit. Caedes nulla peior fuit campo nec in Marcio; fracta est lex christianorum sanguinis proluvio, unde manus inferorum, gaudet gula Cerberi. Dextera prepotens dei protexit Hlotharium, victor ille manu sua pugnavitque fortiter: ceteri si sic pugnassent, mox foret concordia. Ecce olim velut Iudas salvatorem tradidit, sic te, rex, tuique duces tradiderunt gladio; esto cautus, ne frauderis agnus lupo previo. Fontaneto fontem dicunt, villam quoque rustici, ubi strages et ruina Francorum de sanguine; orrent campi, orrent silvae, orrent ipse paludes. Gramen illud ros et ymber nec humectat pluvia, in quo fortes ceciderunt, proelio doctissimi, pater, mater, soror, frater, quos amici fleverant. Hoc autem scelus peractum, quod descripsi ritmice, Angilbertus, ego vidi pugnansque cum aliis, solus de multis remansi prima frontis acie. Ima vallis retrospexi, verticemque iugeri ubi suos inimicos rex fortis Hlotharius expugnabat fugientes usque forum rivuli. Karoli de parte vero, Hludovici pariter albent campi vestimentis mortuorum lineis, velut solent in autumno albescere avibus. Laude pugna non est digna, nec canatur melode, Oriens, meridianus, Occidens et Aquilo, plangant illos qui fuerunt illic casu mortui. Maledicta dies illa, nec in anni circulo numeretur, sed radatur ab omni memoria, iubar solis illi desit, aurora crepusculo. Noxque illa, nox amara, noxque dura nimium, in qua fortes ceciderunt, proelio doctissimi, pater, mater, soror, frater, quos amici fleverant. O luctum atque lamentum! Nudati sunt mortui. Horum carnes vultur, corvus, lupus vorant acriter; orrent, carent sepulturis, vanum jacet cadaver. Ploratum et ululatum nec describo amplius: unusquisque quantum potest restringatque lacrimae: pro illorum animabus deprecemur dominum.
The "Carmina Carolingiana" are poetic works from the 9th and 10th centuries, most of them written in Latin and located outside the liturgical domain. In the choices of this program, they evoke and stage events related to the Carolingian empire: the lamentation over the death of Charlemagne, the battle of Fontenay en Puisaye, the fire of the abbey of Saint Florent as well as the passion of the emperor for the poets of ancient Rome There remain only a few precious traces of this repertoire which attests to the taste of the imperial courts for poetry and the arts. The works chosen for this concert are among the rare ones having preserved their notation, simple neumes traced above the words.
Les "Carmina Carolingiana" sont des œuvres poétiques des IXe et Xe siècles, la plupart sont rédigées en latin et se situent hors du domaine liturgique. Dans les choix de ce programme, ils évoquent et mettent en scène des événements se rattachant à l'empire carolingien : la lamentation sur la mort de Charlemagne, la bataille de Fontenay en Puisaye, l'incendie de l'abbaye de Saint Florent ainsi que la passion de l'empereur pour les poètes de l'antiquité romaine Il ne reste que quelques précieuses traces de ce répertoire qui atteste du goût des cours impériales pour la poésie et les arts. Les œuvres choisies pour ce concert se situent parmi les rares ayant conservés leur notation, de simples neumes tracés au-dessus des mots.
00:00:00 01. Chant 1 : Versus De Bella Que Fuit Acta Fontaneto 10:21:00 02. Chant 2 : Contre Paulini De Herico Duce 24:56:00 03. Chant 3 : Versets sur le renversement du monastère de Sainte-Florence 36:39:00 04. Chant 4 : Lamentation d'Hugues l'Abbé 43:11:00 05. Chant 5 : Les pleurs de Karoli commencent 53:14:00 06. Chant 6 : Contre Godiscalchi 57:50:00 07. Chant 7 : Ô Stellaire Fondateur du Monde
00:00:00 01. Chant 1: Versus De Bella Que Fuit Acta Fontaneto 10:21:00 02. Chant 2: Versus Paulini De Herico Duce 24:56:00 03. Chant 3: Verses About the Overthrow of the Monastery of St. Florence 36:39:00 04. Chant 4: Lamentation of Hugh the Abbot 43:11:00 05. Chant 5: Karoli's Weeping Begins 53:14:00 06. Chant 6: Versus Godiscalchi 57:50:00 07. Chant 7: O Stellar Founder of the World
00:00:00 01. Chant 1: Versus De Bella Que Fuit Acta Fontaneto 10:21:00 02. Chant 2: Versus Paulini De Herico Duce 24:56:00 03. Chant 3: Versiculi De Eversione Monasterii S. Florentii 36:39:00 04. Chant 4: Planctus Ugoni Abbatis 43:11:00 05. Chant 5: Incipit Planctus Karoli 53:14:00 06. Chant 6: Versus Godiscalchi 57:50:00 07. Chant 7: O Stelliferi Conditor Orbis
psiquiatría, psicología y psicoanalisis, vil negocio e inventos repugnantes del siglo XIX para esclavizar, adoctrinar, estupidizar y debilitar a los hombres, victimizar a las mujeres, condenar a los niños y demonizar los comportamientos naturales y destruir la sociedad. robando conceptos filsóficos y apropiandoselós. la filosofía es la busqueda de la verdad, todas esas otras pelotudeces son la busqueda de dinero.
(17/10/2024; 13:08 hs.) -- Valiosa labor. Escuché la grabación con mucho agrado. Felicitaciones a los artistas. Saludos desde Ciudad de Córdoba (Argentina).
Not only another offering of excellent and new-to-me music, these images are also stunning. Such devotion to your love of medieval music bringing it to life for us all, TY =---->
