Excellent work. I feel some days my C6 is on point in other days feels a little flat. And he suggestions on getting better consistency in my high range?
@@BassManMatteo My voice is naturally high as well. Most days it's effortless to get to the C6 But some days it feels like a struggle I was just seeking possible other techniques and approaches. Maybe it's just my OCD but I feel like I should always be able to hit the C6 I don't like having off days in performance. 🤣 Now to get as low as you get. That's also very impressive. I usually bottom out at the E2.
No accusations or anything, I could be very wrong. But the E at 9:10 sounds mildy fried. it's not pure chest as far as I can hear. Not very much fry at all, but just enough to noticably have that typical sound and inconsistency that comes with chest fry. Same with the D after it.
I'm incredibly familiar with his voice since I've heard most of his work and I can safely say that Patton is totally and 110% not a tenor, he's quite an ordinary high baritone with a strong high range and a brilliant technique... The rest I can agree with, Cab Calloway's lower note is mindblowing. Cool video idea
If one's natural vocal placement is like the height of a person, then great technique is like putting on big ass heels lol! It's amazing and inspiring to hear how some singers are pushing the boundaries of what has been thought as possible for their types of voices, whether it's the basses singing like bright, high-set baritones or high baritones sounding like straight up tenors up there. High baritones really are lucky in that regard because with great technique they can achieve both a warm, deep lower register but also a tenor-level higher range (and the same applies to lower-set tenors wanting to sing lower)
Not entirely accurate. You're mixing western octave scales with eastern scales with some of these singers. I'm familiar with one of the bass singers you listed as getting into the 0-octave range, and by his own admission he's never been able to reach down that far. If you are going to count motorboat vocal fry as part of a singer's range, then you should have counted the times Dimash vocal fried down into the (western) first octave range, which puts him in the 7+ octave range.
It could be chest-fry. Still solid notes, though, cause pure fry is weak (easily recognisable if totally utilized) and has no resonance compared to real bass notes.
How did you train to reach E5 in chest voices , Ive been trying to hit D5s in chest for singing Bruno mars songs but end up loosing my voice at C5 . Give me some exercise tips
@@uniofwinners I’m not really sure what exactly I did, I just used my upper range more and as I used it more I developed it further. It doesn’t sound very good so it isn’t really of much use anyway.
I heard another clip of Yuri Wichniakov singing that song that sounded much stronger. The recording & copying makes a difference. Alexander B, last one is pretty powerful.
Does anyone know where I can find the piece Glenn is talking about near the end of the video? I know it's from Rautavaara's Vigilia, but while he's discussing it, I can hear him go up to an E4 in the background. I can't seem to find the specific part of the piece where this happens. Any ideas?
As always, a good compilation! You can always tell the natural bass singers from the tenors trying to be bass singers. Same goes for low basses trying to be tenors barring the unusual abilities like Geoff Castellucci or Tim Faust. Casper has a phenomenal baritone to tenor. You can tell he is reaching with the bass though, especially where it is just him trying for the bass. The change from baritone to bass isn't very fluid. There may be some pitch correcting going on in the recordings. Even so, he is an amazing singer!
