Patil Zakarian is a laureate of the Gulf International Chopin Piano Competition, the Kuwait International Chopin Piano Competition (2010), and F. Liszt Grand Prix, a scholarship by the Ministry of Culture and National Heritage of Poland to attend a master course in Warsaw under the tutelage of Janusz Olejniczak, and a recital marking the 200th anniversary of the birth of Chopin. She is an awardee of the Golden Key Composition Competition in New York (2012) for her piano composition with an invitation to perform it in Ehrbar Saal in Vienna. Her music has been performed in the UK, France, Netherlands, Kuwait, Poland, Bulgaria, and broadcast during radio programmes. In 2017, one of her piano works, Bloozjan, was released in the CD of Dutch jazz-pianist Marcel Worms. Apart from performance and compositional work, Patil Zakarian is a skilled piano teacher, lauded by parents and students alike for her engaging teaching style, efficiency and enthusiasm.
Haha, It’s all untethered and played from my guts 🦅 I was following the chords as I had just learned the piece an hour before this recording was made, and I improvise better when I don’t look at my hands.
Wie soll man auf diesen schnellen Walzer tanzen, liebe Pat? Ha, ha, es ist natürlich spaßig gemeint. Ich bewundere Deinen Stil, am Piano zu performen, bravo und sende herzliche Grüße aus Deutschland, Leonora Lily 👋👋👋👋👋👋👋👋👋👋
I saw the little cut at 2:04 (i won't tell anyone, i promise) Jokes aside, really good arrangement, i am going to borrow some of these phrases for my accordion version. Thanks a lot!
Fantastic, dear musicfriend Pat, just in this moment I find your channel and hear with great fun to your piano playing. A once I support your channel and send best wishes to you and your music, Leonora Lily from Germany 🎹🎼🎵🎶🎹🎼🎵🎶
cet air " nous parle d'un temps que les moins de 20 ans ne peuvent pas connaître" ni d'ailleurs ceux de 30 ou 40 ans, mais moi çà me parle.... c'est dans les gènes et dans la mémoire Parisienne de mes ancêtres ! Merci magnifique ! tellement au dessus de toutes les fadaises que l'on entend aujourd'hui !
@@sergannn it’s a combination of several things including “automatic” playing of some passages, but mainly and importantly, it requires a good knowledge of the chord progressions in the song.
