I make animator compilation reels. Comments and suggestions are welcome! :)
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Our collaborative animation projects are now being hosted on the World Animation Discord channel. Check it out too! ru-vid.com/show-UCKtL5fPzdE0UethNVqlU5iw
Profile picture by Henrieke Goorhuis. Color by Liliuhms. twitter.com/HenriekeDraws twitter.com/liliuhms
My brother, my boyfriend, my cat and I want to say that you deserve an Oscar at the very least for this! You just made three middle aged kids extremely happy, so from all four of us: THANK YOU!
this is like signing your name on your animation without even writing it, i love it, no one ever moves like that but you just know it means pridefulness
I really like the work on Captain Hook. He seems uprisingly realistic and detailed for what you would think would be a very cartoony and wildly animated character, yet he loses none of the expressiveness, in the proess. Verry different from most of the other examples.
how identifying the other animators: irven spence: he was the wildest tom and jerry animator with a very cartoony, loosey, goosey style, he drew his characters very off model in favor of animated broad energy! specially with tex avery irish eye takes, he was also a master in making the pain feel painful !and lots of squash and stretch! a cool trait of his: when a character exist the screen it's folllowed by furious motion blur effects ray patterson: he excelled in cartoony movement and broad energy! he generally drew his characters with a lot more detail like extra haired furs on tom, as well as pouted lips and furrowed eyebrows! he was generally given dialogue scenes to animate. he also drew some of the wildest and funny facial expressions. a cool trait of his is the way a character runs a make a turn! pete burness: his animation style of movement was very "pose-to-pose" and bouncy. his animation timing was less fluid but very snappy and crisp! the way he drew facial expressions was usually off-model and uncanny... but still funny and expressive! ed barge: he tended to drew his characters look more cute and youngful, the way he animated expressions was usually milder and more conservative looking. however, he could still pull off some great, funny animation! a cool trait of his: he liked to use smears and other distortion effects !
I think I figured it out. Glen's work is best defined as major complex movement through 3Dimentional space. Not neccessarily full turnarounds, but more like constantly changing cameras angles, of constantly moving characters. No wonder he has so many iconic film moments.
Can you upload a Milt Kahl head swaggle vid with this following song? ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-aN5nNKasGxM.htmlsi=SDCEyrONL8VTp5As
One of the primest examples of the kind of exaggerated performance animation can sell you on perfectly well. You just TRY to say a sentence with all that head movement. You'll develop a headache almost instantly.
bill Roberts is one of the greatest animators that define the disney style in the 30s also norm fergunson, berny wolf and bill tytla, the precursors of the nine old men
