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The Music Chapel is an artistic project set out to train young musical talents, and represents the only music institution to advance along those six concepts : high-level training, stage experience, career development, personal development, Residency and Equinox project. More info on: www.musicchapel.org
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Can only say this performance makes me want to play it. @oldtowndude I feel your pain, and 3 years on the world is in a hot mess, on the precipice, but Schubert reminds us of the beauty that could exist in places like Gaza if peace were given a chance. Stop the Genocide!
Vive toujour éternel Antonin Dvorak avec les jeunes grands artistes qui protègent la culture musicale européenne.! Bravo, la jeunesse !!! 👍🙏❤️🌹Eva de Nice.
Je suis tombé dessus par hasard en cherchant des masters classes de J.C. Van Dam, bravo Bertrand, part contre à 11:40 la dame du milieu elle dort ou c'est juste une illusion.
So much work, so much progress. A young prodigy will always be a prodigy. Thanks Anna for such a marvelous piece of music, such a marvelous own interpretation. Lightness, graceful, and sometimes strong, decided. Thanks you all, Orchestra, Conductor, and You. And the quality of the recording.
Oh my god, this is absolutely lethal…….. The grace, the power, the elegance of Kerson’s playing…! Great cadenzas, and great orchestra, too 💜💜💜 I loved this 💯%
Excellent performance of this much neglected masterpiece.....inspired and thoughful playing by both players....to think that the last movement was what Beethoven had intended as a finale for the Kreutzer....I think this performance took this into account. Until now, Rostal was my favourite interpretation....but times change and the youngsters these days are the ones we need to listen to as without their insights and boldness these works would just be memories. ❤😊
Parfait le si beau son ,la bonne implication la bonne distance ,l 'aisance sur scène....bravo à a nouvelle supersoliste de l 'orchestre de Paris, c'est si justifié ! Bienvenue en France❤
The leader goes through the bow too quickly on the up-bows, I'm only just realising this in my own amateur efforts aged 60 , better to "hook in" at the point for control at heel. Oh, she just mentioned it.
The camera work is inadequate and amateurish. Do you have any special feelings about the second violin? Please do not only show the second violin that is not being played.
