Doubt this is 1970 - the lead coach in the last frame is clearly numbered 23 . The green/cream livery was carried beween 1955 and c 1966 and again the late 1970s. The rest of the coaches being crimson implies the late 1970s
Reminds me of my younger days in Salem Chapel Rhiw Blaenau Ffestiniog over 70 years ago now living in Albany W.A. 🏴🤗🏴🏴 Diolch am ranu gyda ni.🏴🏴
Chapel buildings are tangible Welsh heritage and should be preserved at all costs and certainly much, much more than the oppressor' blydi cestyll. Canu cynulleidfaol is intangible Welsh heritage and should be listed on the UNESCO Intangible Cultural Heritage List, but oh I forgot, this despicable British state isn't a signatory.
An enormous diolch yn fawr for posting this. This video brings us in "old times" when people, united in a church (or anywhere else) would share the simple pleasure of singing togoether . We would not have this in Brittany, except in the dances (our "fest-noz", and " fest-deiz") where all generations are dancing traditional dances in a very "non formal" way (it's neither a show nor a performance, just the pleasure of dancing all togoether). But singing is great ! See this video is like beeing transfered (in Dr Who TARDIS ?) in the past. Thankyou so much, so much, and please... never take it off !!! (if it occured, disaster ! because I suppose there ane not DVD archives of this program,sold by BBC Wales). And please do forgive typing and language errors !
Would be great if this was revived - but without the lazy stereotypes (of Indians of both kinds). I liked the way the guy in the elephant mask had 'Dumbo' on his shirt - the mask wasn't that bad!
Mae`n hybryd glywed y donau hon, emosionol iawn. Dyn ni`n dal i ganu`r donau cymreig yma ym Mhatagonia, fel ers 154 mlyned. Cymru am Byth! Cofion i pawb o Dyffyn Camwy, Chubut, Yr Arianin.
Siân Cwper produced a tender beautiful account of the delightful soul that was the artist Sarah Nechamkin Ballesteros. I am personally very grateful to him and to all those gifted persons who cooperated in order to ensure that this account of Sarah’s life is available for those who come after us.
