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Thank you for your advice. but is that the proper way of hair touching the strings? I suppose up bow is for weaker beat and edge of hair is preferred, and down bow is for stronger beat and full hair contact is preferred and this works in contrast to the wrist pronation. I am confused, please help.
Unfortunately those are the only two videos Robert made about Clementi's Sonatinas. You can find more videos by him about more repertoire and music theory on this page: www.virtualsheetmusic.com/experts/robert/
ngl 11:34 when she slips on the bow actually makes this moment so good i keep on replaying it because the orchestra and the slip fit so perfect its a happy mistake
I’m far far far worse than Hilary Hahn herself, but her flat G#6 at 3:56 is what reminds me not to obsess over intonation so much when practicing (Also the flat C7 at 4:10 but come on, it’s a C7)
I know It might sound Excessive ...But I really think you are the Best I ever Heard ....next to Paganini ....... Your movement ....... is Really unMatchable A Friend of Paganini [ Who Sold his soul , though , to Get indescribable Talent ]
