Looking for answers about all things singing? International vocal coach and Certified Master Teacher Spencer Welch breaks down complex vocal concepts into easy-to-understand explanations and tips.
Come try my program Singing Ignition FREE for 14 days! www.singingignition.com
Accelerate your results! Book lessons with me: www.spencerwelch.com/book-now
I want to pay youre teaching me but now iam already 70 yers old i dont have job work am a sr. Nobody can recive me as a worker maybe my son angd douther they give me some amount of mony isend you payment as i amember
Love this video! A month ago i decided to learn to sing and have tried multiple teachers on RU-vid. Must be over 50 and all the most famous ones. But I keep coming back to your videos, not only because their content is amazing but because of the connection you have with the camera. Youre the only teacher I talk to! When you look at the screen and say "well done" i smile and say "thnaks". 😂 And the encouraging nods in the middle of the exercises I was a teacher for 30+ years and I know first hand that many people are able to teach valuable skills and knowledge, but there is a real rarity, a real gift in being able to connect with the student in this way. Truly inspiring and just what I need. I will definitely be signing up for your online course! 😊
I wouldn't call that an adaptation. The title of the video is "advanced mix voice workout" so the point is to sing in your chest and mix voice. Is there a part of it that you feel directs you to "switch to head"?
@@SpencerWelchVocalStudio I’m sorry, when you directed chest and mix in the exercise I thought you said something like mix and head. It’s a good thing I decided to do it all in chest & mix! Great video by the way, really helped me with those oo sounds and to connect the chest to the mix!
How to strengthen mix i have found my mix but its not that active to sing loud and confidently, resulting shaky and like mooning sound. I have to sing the next 3 weeks so some effective way to achieve faster
Hi I'm glad this is helping you. Sometimes it can take weeks, months, or years for a person to develop their mix into a flexible part of their voice that is easy to apply to songs. I would have to hear you and work with you to know how to speed up your process, so feel free to book a lesson with me at www.spencerwelch.com/book-now/
Excellent display... Btw what is the note you sing : B4 ? If so, being a barritone, I have also managed to hit that note with chest voice like I did in the songs by Westlife : 1. Flying Without Wings 2. No Place That Far
I've got a decent range, roughly 3 octaves, so I've got options. I don't have trouble singing the lowest end of any standard bass part, and lots of songs people think are super low (like "friends in low places" or Disturbed's version of "the sound of silence" for example) are really comfortable for me, but i don't sound as impressive because while i have a darker quality to my voice, I don't have a ton of resonance, so there's not much of that booming quality unless i put a lot of conscious effort into it. And I've spent a lot of time and effort developing my upper register and can do decent renditions of Panic! At the Disco and Mika, but again, my voice naturally sits lower, so those higher songs require a lot of concentration so i can relax my larynx and engage my mixed register instead of trying to push my chest voice further than it naturally extends. The relaxation is really difficult for me, and I'm still strengthening those muscles to increase my endurance without starting to strain. My falsetto was completely nonexistent but is starting to get with the program. Still, it's never going to be as comfortable or natural for me. I'm definitely a baritone. It's a tricky place to be, for pop and rock, but it's a pretty sweet spot for choral singing, especially because i have a preference for harmonic lines. Unless I'm soloing, i don't want anything to do with the melody lol
Falsetto Head with a little chest Head with a little more chest Chest with a hint of head ( this is a bit of a stretch but it's almost like belting. Normally when you sing in higher parts of your voice even in chest you naturally have a really light head as a start ) Also mixing is a technique that disguises your break
I've known two, maybe 3 people i believe to be truly tone deaf. One of them was a kid i went to elementary school with, who had assume significant hearing impairment and wore hearing aids, so it made sense in his case. I'm really curious what it would be like., though. I don't have perfect pitch, but i have a good ear and could play piano by ear when i was 3, so not being able to differentiate pitch isn't something i can wrap my head around.
Hi. I really enjoyed that lesson so I went to your link to sign up for Singing Ignition. It says in the link that you can try it 14 days for free but I couldnt see that option when I clicked on the link 🤷
Not at this point except for the demonstration I made in the video of where things can go. In my experience, that polishing process can be a multi-month or -year process which requires more hands-on guidance. I can demonstrate the polished sound it in a video, but there isn't a A-to-B process for everyone
I've been struggling with this issue and it's driving me nuts! I must overcome!!! Yours is the best video I've seen. I'm in the situation of many where I'm on disability and can't afford lessons or I'd be taking them now. I'll check out some more of your library.
Hey thank you for sharing thoses greats exercises ! I m a bit lost about the third passagio that you mention (1 “45). Is this third passage from head voice to whistle ? Or something like airy head voice aka falsetto for some people?
Please don't take this comment offensively. Idk why, but your face somewhat reminds me of TV/Movie star Matthew Perry, who just recently & tragically passed away. (If you've never heard of him, he's the guy who played the lovable & hilarious character of Chandler Bing on TV comedy Friends series) 😶🤷 do you get that compliment often from people?