Welcome to our RU-vid channel! Here you´ll find some of our video & film productions - final clips, tests and behind-the-scenes footage of our productions. In future we will make some filmmaking tutorials and videos about the equipment we mostly use. We hope you´ll enjoy watching!
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Hey man this is great work. I am looking to grab a 50mm Between the Sirui 50MM VS the Meike 50MM for a feature film I am shooting. I am just caught in between the middle and do not know which one I want to grab. From a Cinematographers point of view what would you recommend of the two?
This is super sick. One question: What aspect ratio did you put it in? Cuz in can't get this aspect ratio in HD. Davinci keeps saying its an incorrect aspect ratio. 1080 x ???
Love the image and "cinematic" feel! Two questions: Was all shot on the 50mm? And 2nd: Why didn't you shoot in the anamorphic mode on the pocket in the first place?
Hey there, thanks! yes, all shot on the 50mm, and we shot normal 16/9 since it was the easier way for us to desqueeze it in the post by just change the horizontal scale to 133%. Anyways there is a anamorphic desqueeze preview built in the Pocket so you see it the right way on screen even when shooting 16/9
Thanks so much! Just do it!!! Shootingwise it was all handheld, just that one lens and color correction within PremierePro. You can find overlays all around the web and just keep in mind to shoot anything with audio! Just the internal mics are enough for the most atmospheric sounds you get while shooting! Good luck :)
Thank God somebody FINALLY made some footage worth watching with this lens. Kudos, best footage yet with this lens and not just trees, night lights, cats and dogs 😂💪🏾
I know this comment is a bit late but how did you deal with the yellow color clipping in the headlights, I tend to have this problem a lot with my sony alpha cameras, I've tried to suppress the effect of it in post using saturation and color keys, but none have looked as good as the result that I see here, could you let me know how you dealt with this issue? thank you.
Hey, thanks for your question and sorry for the late answer... you should balance the camera as perfect as possible, but as long you are using the same camera you can attach the base plate of the gimbal to a base plate for simply sliding the camera in. So you don't have to worry about all directions of balancing if done correctly once. hope that helps. normally I´m ready to shoot within a minute if I use the same camera.
I see you are using a manfotto style plate under the camera for balance adjustments/faster lens changes? Does it handle the higher center of gravity and weight well?
the baseplate is great for faster balancing! You have to adjust it once and then just slide the camera in, balance it back and forth and you´re good to go.
Did you try it with the motor on the right side of the camera? Feiyu Tech says it's possible in their videos, but, not ideal. I have an A6500 and the screen is blocked too often if the motor is on the left as you have it.
unfortunately not yet. I just keep the distance to the objects I´m filming or close the iris a little to get some shots with not that shallow depth of field. Hope that helps :)
Hello, the feeling of the film is really great, I use the A7S2, whether it is SLOG2 or SLOG3 can not be the same color and you. What do you need to pay attention to before you shoot? Did the latter use lut? Very much looking forward to your paid tutorial.
Good evening TBs I have feiyu and im having trouble setting up could u share to customer support because I would like to use it for my upcoming wedding
thank you very much :) we´ve shot in Slog-2, S-Gamut 2. +2stops of exposure on the Sony a7SII. In Premiere Pro CC we used the plugin FilmConvert Pro and did some minor tweaks for the final look. Have a look at it - it´s really worth it!
Is it just me? When shooting Slog3 I get a serious noise issue. I am properly exposing and I am getting a weird horizontal noise issue from 1600ISO to 10,000ISO. Once I hit 12,800, it disappears. I don't want to have to shoot everything in Slog3 over 12,800ISO. Has anyone heard of this or has gotten a fix to this? Its hard for me to watch videos like this shot in Slog3 that are "noise free" and I cant produce such an image.
S-log needs to be over exposed to get the most out of it. 2 stops is a pretty good rule, it increases the noise floor and produces infinitely less noisy footage. I can shoot at ISO 25,000 pretty comfortably without any noticeable noise as long as the footage is over-exposed you'll get good shots. I usually try and aim to get the mid tones about 1.5 - 2 stops over while retaining some highlight detail where possible, but in most cases i'd rather have a few blowouts on light sources than noisy unuseable shadow noise
