Thanks for the quick info! I often watch your videos about editing in Premiere Pro. Could you remove the farts at the beginning and end of your videos? You are an adult and serious person, and such sounds are typical for underage bloggers. From a stupid TikTok.
yeah I knew about the projects panel but I cannot believe that took that away. I guess I'm going to have to see if I can tweak my windows setting to make everything bigger. its a shame to take that out. Anyway thank you Chan
Nice. I worked in motion pictures special effects for 30 years. All practical. CGI is doing amazing work now. You can combine the two. See: Dick Smith. Makeup effects. 👍 is this how it was done on The Revenant? The arrows went through on some shots.
At last, a Premiere Pro 2024 series that actually focuses on the flow and processes for using the tool to create actual movies. So many of the other videos on RU-vid seem to just give examples of random effects rather than a solid background on things like best methods to organize your files, setting up preferences or what the various windows do and how to use them efficiently. Great job, keep up the good work.
I have a question for you how do you pass time in a screenplay so like I mean in my screenplay that I'm writing I first start off the scene when my characters are 5 years old but now I want to jump to them being preteens so how do I do that
I have a question for you how do you pass time in a screenplay so like I mean in my screenplay that I'm writing I first start off the scene when my characters are 5 years old but now I want to jump to them being preteens so how do I do that
I'm so impressed with how efficient *WHITEDUMPS* teledude keep backing me with valid dumps tracks and pin. Everything I got through him hitting lit asf
I have a question about motion blur, Im currently transitioning from final cut x to adobe premiere, and theres lots of things i love, but some im not liking atm, for example to create a motion blur in final cut x i have a overlay that automatically creates a motion blur over the footage, is this posible on adobe premiere? just by adding an overlay?
Could you please help me in this situation? While shooting, we have a DIT on set that transcodes the raw footage which he then sends to a foreign editor (Who imports these transcodes or proxies) (We also do this cause we can't share Raw files online they're too big to upload and download). Then the editor shares his work back (Premiere project) to us (We have the transcodes and raw) after he's done with the first draft (We're a production house). Afterwards, I keep working on the edit until the offline edit is locked and approved. Before sharing to the post house for grading, I have to reconnect the transcodes or proxies but I am doing it manually which I know is not the right way and time consuming but as you said in the video: "Do not import proxies and work on them..." (Which is what we're doing). Could you please help on finding the best way to work in this scenario where I can still toggle the proxies and raw? I have 1 party creating the proxies, 1 party editing and then 1 party reconnecting the proxies to raw. I'd appreciate you support!!
Great video course. Very informative. I have a question in regards to image size for stills playback (Slideshow) I've imported full size Jpegs (6Kx4K px) into my timeline but the playback is jagged. I reduced the Jpeg size by a quarter and play fine. In your video you say you use 4K stills what are your settings for these so they play smoothly? Thanks.
If you are using the "old school" method of proxying, I would say, make the proxies first and then do the sync afterwards. The high quality can be reconnected down the line.
Yes that’s the way of Premiere. Doing proxies and merges clip after. But in the project that I’ve received, proxies are created after the merge. So the links were broken. We choose to rename proxies with the original name of the 4K clips, in the finder. And when the edit will be locked, we will reconnect 4k footage, like the « old school » method… pretty tricky… finger crossed !
@@SébastienCalvez I would recommend doing a test to relink what has already been edited and make sure the HQ footage will reconnect. That way, if you have trouble relinking, it won't be at the end when you guys finally have a final cut.
Hi there, is there a video on how to get files back to premiere pro onece theyre graded? I know there is tons of videos on how easy this is but its not. Im working on a rather complex feature and am pretty desperate as the xml or aaf solutions do not really work for me.
