Greetings. In line 15 of "13", you wrote "creation" instead of "creatio". I wanted to draw this to your attention, and I hope that this comment finds you well.
@@joeperry6707 Chart 4 done as Neauxtheque. Same Songbook, all written for GLYP. Sabotage from within (GLYP) and without (Databases) lead to inconsistencies www.discogs.com/release/19682494-N%C3%A1ndor-N%C3%A9vai-NEAUXTHEQUE-Chart-4-Elektrik-Trio
On 4.5.24 They Back-Dated the entire Internet so Plagiarists could be '23 years old' Original from 2017 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-AjHafLz9pGM.html Copy by City Pukes ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-Y4nt76LEk9s.html
On 4.5.24 They Back-Dated the entire Internet so Plagiarists could be '23 years old' Original from 2017 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-AjHafLz9pGM.html Copy by City Pukes ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-Y4nt76LEk9s.html
A LOWER FREQUENSY KURRENT : A STEEP RAYT OV CHANJ [x2] I WILL DESIIN A WEAPON FIIRBALLS RESULT FROM THE INTERAKTION OV 2 FREQUENSES A STRAY HIIHER FREQUENSY IMPOS'D ON THE LOWER FREQUENSY FREE OSILATIONS ON THE MAIN SIRKUIT BILDING FROM THE ZERO POINT TO THE QUARTER WAYVLENGTH NOHD PASSING THRU VARIUS RAYTS OV CHANJ IN A KURRENT OV A SHORTER WAYVLENGTH RAYTS OV CHANJ WILL BE STEEPER WHEN 2 KURRENTS REAKT ON EACH OTHER THE RESULTING KOMPLEX KONATYNS A WAYV WITH EXTREEMLY STEEP RAYT OV CHANJ [X2] FOR A FRAKTION OV AN INSTANT KURRENTS MUUV MILLIONS OV HORSEPOWER THIS KONDITION TRIGGERS THE ENERJY TOTAL ENERJY OV POWERFUL LONGER WAYV DISCHARJ'D IN AN INFINITISESSIMAL INFINITESSIMALY SMAL INTERVAL OV TIIM DISPROPORTIONAYTLY TREMENDUS RAYT OV ENERJY MUUVMENT UNKONFIIN'D BY THE METAL SIRKUIT RELEAS'D INTO SURROUNDING SPAYS WITH INKONSEVABL VIOLENS [X5]
dog days of summer, the heat makes us meaner by the hour we couldn't listen except to the sound of the teeth clacking in our heads we couldn't listen except to the sound of the blood running in our skin we couldn't feel our own living except for our slow slow slow hearts they pumped thicker and thicker, slower and slower back and forth forever thicker and thicker, slower and slower back and forth forever and we're so hungry, we're so hungry, we're so hungry one of us dogsbodies bit another dogsbody right through one of us dogsbodies shot another dogsbody right through he said the taste the touch you can't help but love though it's strange you can't make dogs like us change you can't make dogs like us change we're so hungry, we're so hungry we're so hungry we're so hungry you can't make dogs like us change a dog only knows a dog only knows his own dogsbody his own dogsbody a dog only loves a dog only loves his own dogsbody his own dogsbody street dogs suck and sleeping dogs lie lucky dogs win and lazy dogs whine lucky dogs win lap dogs lick show dogs show and dirty dogs die but we're so hungry and set in our ways our bellies are slaves to our minds under the sun we're slaves to its heat and the sun is a slave to the sky the sun is a slave to the sky
"0 > 1" is the 3rd GLYPTOGLOSSIO. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-AjHafLz9pGM.html ANOTHER RIP-OFF : ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-Y4nt76LEk9s.html
I'll dump this here... some dark, oppressive, dense long ass single movement symphony by a nordic composer ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-LuUVO31RqpA.html
Apparently, I can't message you directly on RU-vid, so I'll post this here: really interesting stuff... ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-hJ4T4M13YPg.html
Ouspensky's not one I'd have necessarily picked up on but he's great for sure. What about Gurdjieff, and are there any parallels/connections between either one's esoteric leanings and your writing?
