Fifty-three measures of music make up the Rimsky-Korsakov setting for the folk song, "Не пой, красавица, при мне." In measure twenty the only difference from the Pushkin poem occurs. Pushkin wrote "Я призрак милый..." Rimsky-Korsakov inserts, "Я образ милый..." This is the single textual difference between the Pushkin poem and the Rimsky-Korsakov text. The tempo is assigned as Alllegro moderato. The time signaturer is 4/4 and the song is sung from measure 1 with "Не пой..." The heading also instructs that the song is to be sung with "For high voices". At measure 35 Rimsky-Korsakov repeats the beginning of Pushkin text which ends in measures 44 to 48, "жизнь и берег дальной." Measures 48 through 53 provide music for the accompianment to end the music. Forty-eight measures of music make-up the Rachmaninoff setting for the Pushkin "Не пой, красавица!" The Rachmaninoff setting has no text variation from the Pushkin poem. The first eight measures of music is written for the accompianment with the singing beginning in measure 9. The singing ends in measure 40. The last eight measures are for accompianment with last 6 measures assigned the bass clef. The Rachmaninoff setting is written with "Allegretto." The voices to sing the song are stated as soprano or tenor. The ending of the Rachmaninoff setting finishes just as the Rimsky-Korsakov setting does.
Такое ощущение, что Корсаков не читал ,,Кавказский пленник "Пушкина, во след которому написано стихотворение ,,Не пой красавица при мне ". А вообще романс очень красивый.
