दिलीप कुमार और साली बेगम पारा के बीच 'गंगा जमना' फिल्म ने दुश्मनी करवा दी थी 

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दिलीप कुमार साहब एक अभिनय का ऐसा लोहा थे, ऐसी धार जिस पर कोई जंग नही लगा। इस वीडियो में कुछ अनसुनी बातें भी हम जानेंगे की दिलीप साहब किस तरह अभिनय करते थे। सिनेमा के बारे में कम दिलीप साहब के बारे में ज्यादा बात हम करेंगे।
दिलीप कुमार साहब की 1961 की फिल्म गंगा यमुना एक मिल का पत्थर है। गंगा के किरदार में दिलीप कुमार का प्रदर्शन भारतीय सिनेमा के इतिहास में सबसे बेहतरीन अभिनय प्रदर्शन से एक माना जाता है। यह फिल्म दिलीप साहब की एक मजबूत अभिनय की पाठशाला है।
वह दिलीप साहब ही थे जैसा अवधी भाषा बोलकर, धोती कुर्ता पहनकर उत्तर भारत में हिंदी सिनेमा में सर्वश्रेष्ठ होने का लोहा मनवा लिया था। मैने जब इस फिल्म को देखा था तो दिलीप साहब तो जबरदस्त थे ही। लेकिन मैं हैरान और भी हुआ जब दक्षिण भारतीय बैजयंतीमाला ने अवधी बोलने में उनकी जुबां की एक मात्राएं भी इधर की उधर नही होती हैं। हिंदी सिनेमा के परदे पर कोई अभिनेत्री इनके आस पास नही देखा। इसलिए जहां सर्वश्रेष्ठ अभिनेता का पुरस्कार दिलीप साहब को मिला तो इस फिल्म में बैजयंतीमाला को इन्हे सर्वश्रेष्ठ अभिनेत्री का फिल्म फेयर पुरस्कार भी मिला जो उचित था। अगर इन्हें यह पुरस्कार बैजयंतीमाला को ना मिला होता तो फिल्म फेयर अवार्ड के इतिहास में बड़ी चूक मानी जाती। जैसे गाईड में म्यूजिक डायरेक्टर एसडी बर्मन को कोई पुरस्कार न दिए जाना। जिस से एक बड़े भेद भाव को जन्म दे दिया।
Dilip Kumar sahab was such a strong actor, whose edge never rusted. In this video we will also know some unheard things about how Dilip sahab used to act. We will talk less about cinema and more about Dilip sahab.
Dilip Kumar sahab's 1961 film Ganga Yamuna is a milestone. Dilip Kumar's performance in the character of Ganga is considered one of the best acting performances in the history of Indian cinema. This film is a strong acting school of Dilip sahab. This film has spread the realistic colors of the Awadhi language, which is firmly rooted in the Indian soil.
It was Dilip sahab who, by speaking the Awadhi language and wearing dhoti kurta, had earned the recognition of being the best in Hindi cinema in North India. When I saw this film, Dilip sahab was already great. But I was even more surprised when South Indian vyajanthimala spoke Awadhi, not even a single syllable of her tongue was misplaced. Till now I have not seen any actress anywhere close to her in Hindi cinema who has played such roles. Hence while Dilip sahab got the award for best actor, in this film, Baijayantimala also got the Filmfare award for best actress, which was appropriate. If Baijayantimala had not got this award, it would have been considered a big mistake in the history of Filmfare award. Like music director SD Burman not being given any award in Guide. This gave birth to a big discrimination. This not only diminished the credibility of the award system, but also reduced the trust.
The art of expressing the feelings of words by getting immersed in them, which Dilip Kumar had. The art of scattering the words of the language by raising the eyebrows, which Dilip Kumar had. Till now no hero has been able to create the magic of that language and speaking style. Among those who did realistic acting, there were two other heroes, Balraj Sahni and Ashok Kumar, who were no less than Dilip Kumar. But these were not heroes who could dance and move. Dilip Kumar was such a hero who not only absorbed the regional dialect but also knew how to present the variation in the tone of the words and the style of the character very well. The sentences and words spoken were the edge of his acting.
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