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Two factors can be attributed the entry of Ganesan into films: The principal artists in Tamil films during the 1940s and 1950s were Telugus, whose acting was not matched by their dialogue delivery in Tamil. (In fact, Sivaji Ganesan lent his voice to Mukkamala Krishna Murthy, a Telugu actor, for a Tamil film Niraparathi. The film was well received by the Tamil audience.) Secondly, the 1950s saw the growth of the Dravidian movement in Tamil Nadu, under the leadership of C. N. Annadurai, and M. Karunanidhi. Their transformation of language skills to films through script writing ensured their instant acceptance.[26] Ganesan's entry into films at this stage of popularity was easy and inevitable, and he could establish himself in a better position.
Ganesan made his acting debut in the 1952 Tamil film Parasakthi, which was directed by the Krishnan-Panju duo and co-starred actress Pandari Bai.[27] M.Karunanidhi recommended him for the lead role in Parasakthi to the producer, which was supposed to be portrayed by K R Ramasamy.. The script was written by later Chief Minister of Tamil Nadu, M. Karunanidhi.[25][27][28] Since actors who are well-trained in classical dance can effectively showcase expressions called Nava Rasa on their faces, Ganesan went on to become one of the popular actors in Tamil cinema in the 1950s. His unique voice had a greater appeal. His style of dialogue delivery with a long spell of dialogues - like a poetry recitation with much clarity - earned him critical recognition.
Andha Naal (1954) was a trendsetter in Tamil cinema because it had no songs[29] and Ganesan played an anti-hero. The film won the president's silver medal the following year. The same year, he co-starred with his competitor M. G. Ramachandran in Koondukkili, where he played the antagonistlike our fb page @ / psentertiments5
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21 окт 2024
