Morris dancing is one of England’s traditional display dance traditions. Arising from localised practice in the South Midlands, it was revived from a near moribund state in the early 20th century. This paper traces the relationship between place and the Morris tradition. It began as a way of making and contesting place within a very circumscribed spatial area with strong local affiliations. However, through the process of recording, revival and reworking it has become increasingly disembedded from these literally ‘parochial’ contexts and come to be identified with wider regional and national identities. There is though a counter-narrative to this move towards a national conception of the tradition, with particular places and locations intimately linked with morris dancing’s history still retaining a mystique as sites of pilgrimage, return and reaffirmation of continuity. This paper will bring together text, sound and video to explore the relationship between place, space and traditional dance.
David Petts (Durham University)
TAG Deva 2018
Session: ‘In the Mix’: Recalibrating Music, Heritage and Place
29 май 2019
