♫ Recuerdos de la Alhambra / Narciso Yepes 

Te recomiendo que veas a John Williams interpretando esta obra maestra. Probablemente el guitarrista clásico con la mejor técnica que ha habido

@@juliannavarro8400: Aunque no soy Fernando López, he escuchado y visto a John Williams en "Recuerdos de la Alhambra" y, aunque lo hace muy bien, no llega a la perfección y maestría que tiene Yepes en esta obra en particular; esto de acuerdo a mi modesta opinión. Muchas gracias.

Yo que he intentado con esta pieza puedo dar fe de su dificultad. Yepes es un genio. Pero hay guitarristas que ya han superado esta etapa y que además de virtuosismo ponen su alma en cada interpretación. Yamandú Costa es uno de esos. Cuando le preguntan por Tárrega lo da como una etapa ya superada en su carrera artística.

@@juliannavarro8400 no preocupe lo veremos y te dare mi opinion

@@jorgeperezabraham89 me alegro de escuchar estos comentarios.Pasara el tiempo y otros diran de Yamandu lo que Yamandu dice de otros.La evolucion

One of the world’s greatest guitarists**. :-)

@@Riposte821 a ser tonto, se aprende. Tu, aún no has empezado

where in Mexico it is Spain?

@@rafaelrodriguez7101 I always wanted to watch the spanish Mariachi in Mexico, Spain is it south or north Mexico?

@@tigrehermano Si eres de Mexico que lo he buscado payaso.

That is actually a sign of low testosterone.

​@@gatocles99insecure guy spotted.

@@Carl_G_Jung Emasculated eunuch spotted.

manhole inspector just left

@@gatocles99 Achilles hat auch geweint.

I think the 10 string came about in South America maybe ?? I have a close friend that plays an instrument called a "churango". 10 strings & sounds fantastic 👍 It's a bit smaller than a guitar, but has great sound.

I discovered the 10th string back in the 90s when images.app.goo.gl/1Yb6YhE8yFVs7bx69 released his album.

@@daveblevins3322 Charango and you are right it sounds beautiful

He only played on the 6 strings anyway, but that guitar looks great!

Magnífico

Es porque tienen envidia de no poder tocar como nuestros viejos ancestros musicos

Me emociona, como todo en Granada.....de soñar.

No hay que sacralizar, aún los grandes maestros tienen mejores performances que otras, ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-RLHR8zaEsA8.html la del '79 en Madrid está cercana a la perfección, y el tempo es al gusto de cada uno, yo la prefiero un poco menos rápida.

Es porque hay mucho atrevido. No sé puede tocar mejor esta pieza.

10 string.

Verdad

Me acabas de confundir, trino es tritono o triada? Porque un tritono en este tipo de música es mu raro

@@mododoricodorianmode5582 Creo que se refiere a un tresillo

​@@mododoricodorianmode5582 trêmulo

@@joaohenriquevianna7969 tene razón

La mejor, sin duda.

You're welcome :)

Todas las guitarras que conozco son multicuerdas, no conozco ninguna monocuerda

Metronome..

1970 is too far away tbh. I take me 9 years to master this.

Do you have sheet music or tablature for it?

MARAVILLOSA.gracias

🇪🇸🇪🇸🇪🇸🇪🇸🇪🇸🇪🇸 Gracias maestro

Tão belo

Grande!!Bravo.

Narciso is very gifted, I agree. But you shouldn't base your judgement on speed alone.

@@AS-vb8kr There is no judgement only observation. He simply plays faster than most other renditions I've seen. I neither like it more nor less because of that. He was a great player regardless.

@@Synonomous Your original comment made it seem like (to me atleast) that you were calling him talented on the basis of speed alone (do note that I by no means wish to say that playing fast is easy). Regardless, I misunderstood. On a side note, my favourite interpretation of this piece comes from maestro Segovia What's yours?

@@AS-vb8kr Favourite would be purely subjective and there are really far too many to choose from! This piece being originally a practice piece has turned into quite a famous solo performance because of the technical aspect to which musicality needs to be kept in balance with so it doesn't sound mechanical. That said, the tremolo should sound like one note as is does on a violin or electric guitar, etc. So, if that part isn't played well the rest of the piece is less appealing for me. Segovia is a natural choice and he is brilliant as well as the bar to which many are held. Romero, for example, has a superb tremolo without it being anxious or rushed. I like the old masters as well as the many newer talents. I even saw a six year old girl play it superbly! I enjoy them all!

@@Synonomous Great reply! I agree, as well.

I disagree because it's way too fast and a bit soulless. John Williams plays it at the RIGHT speed. It's not a 100m race; It's music. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-wPICse0ig_M.html

@@TheRunner75 Well, I guess it's subjective. I feel Yepes's interpretation is very soulful. And I think he choose this tempo not to impress anybody, but only because he felt it was the right tempo for this piece. This piece can be played in two ways: or very romantic, emotional; or very solar, in an "energy" oriented way. I like both.

@@TheRunner75 OK, pretty good, like 95% of the way there. But less emotion in the changes of pace and loudness than Pepe Romero, who is the stadard of perfection. :P ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-RODZwcXCTbs.html

@@TheRunner75 Sorry to disagree with you. Tarrega did not indicate the specific tempo, as his manuscripts and early editions indicate the tempo only as "andante". Considering the accepted Italian markings for music "speed", andante means a range between 76 and 108 beats per minute, thus giving the player some lee way for execution. In this piece, the tempo "unit" is the quarter note (crotchet). Yepes plays it at a 100 beats per minute, while Williams plays it at 86 (I have checked both with my metronome). Both are correct in their preferences and you, obviously, as a listener, have the right to choose.

@@d0nj03 Yes, very beautiful and sensitive. But one thing bothers me: to me, the accompaniment is too loud, the melody is "drowned". In Yepes's interpretation, the melody is where it's supposed to be: first row. That's why I love Stephanie Jones's playing. She is a master at bringing out a melody.

thousand def people don't recognize a Maestro at work...but at least we do.

Because of the thousand strings on that thing

Lot of people do it accidentaly,it happend to me lot of times,especialy when listening music before slleep.I hope so,because this is so beautifull!🙃

@@bobymox Blessings to you and your family Boris. Stay Safe.

@@brianogden9023 Thanks,whish you the same !

Not even close, but much better than me at my best!

+1

Yes! Caelina! So many others do the mechanics and techniques perfectly, but lika a robot. You said it right ... expressive rubato, phrasing and dynamics

Idk, its just my opinion, but i somehow feel its too fast for my taste. But that may also be because the first time i heard this piece was the version from brandon acker on yt, which is quite a bit slower, but i think he also plays with tons of feeling.

@Rui Kashaire yes i know what you mean, its just that i saw brandon ackers version first. If i had seen this version first i would have thought bramdons version is too slow.

Compositor no, pero sí interprete,

Ima però non ami

Mad Minute 10 strings one guy four fingers a math equation indeed

Carl Wilson These musicians should be celebrated more. Truly amazing.

I believe the low 4 strings are not played on this piece.This is original Tarrega's version, which applies to the 6-string guitar, with standard tuning.

the dude is not bad. I like him.

One guitarist is the thumb, the other guitarist is the fingers.

I like Andrés Segovia's rendition better.

simplesmente. Fantástico!!!

Ernesto de Lorenzo b

You also have portugese music: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-fum2QTMYzoU.html

Maestro:gracias

Inigualable!!!