I felt trauma, deep trauma in contemporary Chinese literati, not the literati during revolution, but the conscientious people during the past two decades. I considered my late mother was one of them. Being a person with integrity has to pay a big price in China. The government does not want individual integrity. But it forgot in the eternal time and space, everyone is judged against the universal rules of what is goodness and evil. And everyone is labelled and re-labeled in the river of time . Some will be remembered and cherished while others will be cursed and casted aside.
Denis Liu bbs.tianya.cn/post-books-551112-1.shtml 再次声明，画我不敢评。诗经演这里，算什么呢？评注算不上。算创作？给你引了一个评论，首先说是音律不对。那么就不计音律不管什么按古文方法是不对这些事（虽然吹的就是这点），作为我一个局外人来看，他这首诗给原作的相比，不敢说天上地下之差，但从立意到用词有什么高明之处？诗经那个真是琅琅上口，情绪自然堆积而感概一击三叹，余韵流长。诗经演这个，我真不知道。再说了，谁的创作是90%用他人的字句？按版权法，音乐里抄超过两小节算抄袭。这个我们倒是不用拘泥，但是说作品的独创性，未免牵强了。
