R.I.P. Cogecha, the artist who introduce me to this style of art. I immediately remembered him when I saw the thumbnail and Torino sensei did pay him respect. God, I miss him so much😢
@@Saihamaru obviously, it’s just a form of compliment, don’t overthink it. i’ve been her fan for quite a bit of time and she has came very far from the start. i find it funny, though, that people get offended over anything nowadays
YAY Sui-chan is covering my favourite song from Ayase can't wait already know its gonna be a blast AHSGHDJFUFH She killed me, straight on repeat I can't get enough of her voice 😭
I think she mentioned that she probably can't sing opera-style songs, like Risu's Alice&U. It somewhat makes sense as it requires full powered high-pitched voice, something that would totally wreck her throat. However, my principle with Suisei is to just assume she can do it until she proves that she can't.
@@amdrandom Yeah opera is a different singing technique entirely, Sora is the only one trained in it. Alice&U isn't operatic though, Suisei sang Next Color Planet and Pieces in around the same or a higher pitch. She probably wouldn't do it now though because yeah, no sense pushing her throat too much, but I don't see why she wouldn't be able to sing it. Pitch doesn't change the genre, technique or tone. You could lower the key or even go down an octave and it would be the same song. Like an example of Suisei singing in different tones would be how she sang Kakusei vs Saikai with Moona. Her entire vocal style changed between those.
@@amdrandom She definitely can sing those opera-like songs if we take into account that she sang MELTDOWN in original keys which means she can reach the high notes. As for the grandeur of those opera songs, that wont even be a thing worth considering because Sui voice is grandeur itself (as seen in U, kakusei, etc.) So I agree with the person above that we should just assume she can until proven otherwise~
After a while, I’ve listened to this song again. It’s a song about V, but fits VTubers really well too, the feeling of stubbornly attempting to be acknowledged even when ignored. Reminiscent of the atmosphere of songs Sui-chan has sung before. Taking that into consideration, I’m really excited to hear Sui-chan’s interpretation of this song!
Oh, I think Yuurei Tokyo has a backstory about back when ayase and yoasobi hasn't popped off, Ayase from what i remember wrote the song in a cafe and his frustrations and such, I can't remember much more since it's been long
When you keep trying and is still not seen, makes really hard to keep moving forward I'm happy that they were able to overcome it and find success I wish no one would have to go through the feeling of being like a ghost
This is the type of song that you come back to, time and time again, no matter how many times because of the brilliant feelings this song and her voice evokes.
[Refrain] Sanzen to kagayaku machi no akari Taishouteki na boku o miorosu Ano biru no aida o nukete Irozukidashita neon to majitte Boku no jikan to kono sekai o tore-do Yoru ni shizumu [Verse 1] Shuuden de ieji o tadoru boku no Me ni utsuru garasu mado ni ita no wa Yumemita jibun janakute Imanimo nakidashiteshimaisou na Kurayami no naka hitori tada mayotteiru Kanashii hito [Pre-Chorus] Daijoubu, itsuka daijoubu ni naru Nante omou hibi wo ikutsu kasaneta Kyo datte hitori tokyo no keshiki ni sukeru boku wa Yuurei mitai da [Chorus] Ushinau koto ni nareteiku naka de Wasureteshimatta ano negai sae mo Omoidashita tokini Namida ga ochita no wa Kono machi ga tada Amarini mo mabushii kara [Verse 2] Sanzan datte warai nagara nageku Taihaiteki na hibi no naka Ano hi no omoi ga furasshu bakku Kizukeba asa made hiraku rojikku Boku no kotoba wo oto ni nosete nan do demo [Chorus] Ushinau koto ni nareteiku naka de Wasureteshimatta ano hibi de sae mo Soredemo mada saki e Nante omoeru no wa Kimi ga iru kara [Bridge] Nee konna sabishii machi de Nee Sanzen to kagayaku machi no akari [Refrain] Taishoteki na boku wo miorosu Ano biru no saki, te wo nobashite Ano hi yumemita keshiki o nazotte Boku no jikan to kono sekai wo toredo Ashita wo yobu [Chorus] Ushinau koto ni nareteiku naka de Nakusazu ni ita daijina omoi wo Dakishimetara fui ni Namida ga ochita no wa Kono machi de mada Ikiteitai to omou kara [Outro] Ooh, oh, oh, oh, oh, oh, oh, oh Kimi mo sou desho
"Shohei's Singer Research Department" YT channel did a reaction-analysis of her cover He highlighted the emotion she sung this song with which was complemented with her excellent technique