recording acoustics is very clear allowing dynamics and instrumental interplay to be easily perceivable. The piano supports the violin generously so that the string expresses emotion freely with great confidence. The conversation between the string and the piano is natural, personal, cordial, probably the kind of interpretation Kreisler likes to hear. Thanks so much!
安迪老師,這是回應你上次有關聖誕歌新唱的節目。。。非常謝謝你的講解與示範,我很喜歡你的節目。。。你知道嗎,在我的 Steinways & Son 的 grand piano 上面也恰好有一盞與你的鋼琴上的檯燈 一模一樣的燈。。。這個燈已經陪伴我 和我的鋼琴幾乎要20 年了。。。你是在德國,而我是在美國,我們竟然都有一模一樣的燈,也都在放在 grand piano 上面。。。太有趣了。。。我記得你的夫人 好像是台灣師範大學畢業的校友 (希望我沒有記錯),我本身也是 台灣師範大學畢業的校友。。。這又是一件有趣的巧合。。。謝謝你所製作的每一個節目!願神祝福你
Beautiful. I remember to have three recorders of Kreisler's works performed by Elman, Manuine and Kreisler himself. Personally I was in favor of Elman.