1:47 A man with red jacket is Kuniyoshi Kaneko (金子國義) , japanese professional painter . His portrait paintings are known for decadent style . Mr. Kaneko is already dead . Please see Wikipedia , if you are interested in him .
Being that they lived in Japan where all of the gear of that time came from..they got deals with all the best to use their stuff before it got to the mass market.
The slightly apocalyptic chroma key background reminds me of the video to Bowie's ashes to ashes. While we endlessly speculate which parts are live. The guitarist is playing a roland g707, a synthesizer guitar you can play like a normal guitar but also as a synthesizer controller. This further complicates matters because if he's playing anything at all it could literally be any track on the song but the vocals.
I just LOVE how searching "decadance 1200" is so different search results of "decadance 120" like wtf that's how you know they are trying to obstray you from real shit
It was from the second grade of elementary school that I was distressed with or without it. However, since the true structure of the Big Bang was elucidated in 2002, it is no longer finite or infinite. Furthermore, after I understood the meaning of frequent synchronicity around the fall of 2020, it led to the flowering of PSYCHIC, which enabled my transition to a parallel world. The lyrics of "The events of this world are all illusions" are one of the answers that come out when thinking with or without. Goten first class 634 有か無で苦悩したのが、小学二年生からだった。 然し、2002年にビッグ・バンの真の構造を解明してからは、有限か無限大かでしか最早無い。 更に、私には頻繁に起こる共時性の意味が、2020年の秋頃に理解出来てから、私の並行世界への移行を可能とするPSYCHIC開花へと繋がった。 「此の世の出来事は、皆幻」の歌詞は、有か無かで思考した場合に出る答えの一つで在る。 五天一流634
The lead singer sports a 1984 Roland Juno 106 Polyphonic Analog synthesizer keyboard, a popular analog synth which I myself do own. The background keyboardist plays a Roland Jupiter 8 synthesizer, one of Rolands most respected synths and most powerful.
I would love the Japanese lyrics of this song. can't find anywhere, because of the age of the song and her high pitch voice, I can't make out each syllable on my own 0___0
you sure? This show was known for artist to play live...and if you listen to the original track, it's obviously not a playback. This track was obviously played live....you can also hear it. DUH. So before you put your DOTS....learn your facts.
It's mixed live/playback. Koshi's vocals are for the most part live, she misses the first note in the opening verse of "Parallelisme", there is a high backing vocal harmony in "Parallelisme" that you can see Koshi refrain from singing live. The bass, drums, and most of the synth/keyboard parts are a backing/playback track, with Takahashi and Jansen playing some live percussion on the Simmons pads. Hosono is playing one of the synth melody lines in "Parallelisme", he then only plays percussion on the Simmons pads on "Decadence 120". The guy on guitar for both songs is doing nothing at all, and the guy on keyboards on the second song also sounds like he isn't doing anything at all. Koshi appears to be playing some additional synth parts at the end of both songs.
the woman is miharu koshi, and the song is the title track from her album "parallelisme". the guy playing keyboard is haruomi hosono, who produced the album. the guys playing drums are yukihiro takahashi and steve jansen (sunglasses). hosono and takahashi are in a band called yellow magic orchestra. no idea who the bass player is.
