When the ost is overdoing its purpose and absolutely kills it with oldschool tech step that u would never ever thinked someone somewhere kept it alive and delivered it in a production like Sprawl, fucking respect. Never did i enjoyed a game ost head toes since Devil May Cry Noisia.
dude what is it about Boomer Shooters that attracts such amazing composers? You got Mick Gordon's DOOM OSTs combining industrial, djent, & dubstep, then you got this soundtrack combining japanese shrine music with heavy drum & bass. Absolute fire.
