I genuinely want to say thank you. I have very much under appreciated delay i.e. as in most of the ways you used it. And yes, “that part” can absolutely be used for something!
@@TheUnperson Hi and thanks for the video love the channel . Do I need pams new workout in order to clock the DLD with say my sp404 or could I go straight from the DLD to my sp404mk2 to sync bpm? Sorry I am new to this!
@@deanivan3951 thanks! If you want the DLD to be at a specific BPM then you need to provide a clock source to the Ping input. I see that the SP404 mk2 has a minijack MIDI out - patching that to the PIng input could sync them. Otherwise you may need something like Pam's :)
As a huge fan of delay effects, i greatly appreciate this video. I was wondering, how one would get effects like your dub delay, with the filtered delay feedback without modular gear? I am poor enough that using modular of any sort is somewhere between extravagantly unrealistic, to pretty much a pipe dream. i would be doing stuff with either vsts in reaper, or with whatever guitar pedals i can scavenge. Ive tried putting my delayed signal through a wah pedal
Hey thanks! The original way this was achieved is with a mixing desk, and you should be able to recreate it pretty cheaply. You wanna get a desk (maybe an analogue one) with an fx send, or a return and send. That way you can use the fader to control the feedback and the EQ to filter the delay. Here's a short video I found demonstrating the effect: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-Osj01ZpkobU.html
@@TheUnperson THANKYOU! This tutorial is exactly the sort of thing I was missing. I would never have thought to use a mixer to separate out the delayed signal from the dry, and then effecting the delayed signal seperately, but this is EXACTLY how they would have had to do this in the early Dub days, because specialized delays with integral feedback wouldnt have been invented yet. This is an especially useful technique too, because you can shape the tone of the delay tails , and or further effect them in all sorts of ways after this step, because you get to treat them in the mixer as their own separate audio track. Thankyou again, i am going to get lost in my studio for weeks playing with this idea....
