Thanks for this excellent and comprehensive tutorial! I will recommend this video to my students. All the tips clearly presented both in spoken description and visual demonstration. And fun to watch! Really one of the best bowing tutorials I've seen.
@@violynnkuo I did like the kitten! Brilliant analogy of passive movement. Reminds me of an analogy George Neikrug used when talking about the arms supporting the hands, and the hands being like little tiny dogs on leashes running around the fiddle. Not exactly the same, but the idea involved features of what you described, including using larger muscle groups.
@@GarrettFischbachViolin I was definitely inspired by what you shared with me in masterclass about the arm being supported! And I often use the analogy of the dog wags the tail; the tail doesn’t wag the dog. 👌 🐶 Very similar!
Excellent tutorial!! Arguably the best I’ve ever seen on RU-vid or anywhere else on this particular topic. Thank you for sharing your insights with us. 🙏🏻🎻
Thank you so very much, Alex! I appreciate you taking the time to watch and comment! Feel free to share the video to your students! How are things in Florida?
@@violynnkuo I will require my students to watch this and your other tutorials also!! Weather is cooling down in Florida. It’s a lovely time of the year here! 🌞🌴
@@alexsaldarriaga8318 Ooh! Cooler Florida weather sounds lovely! I remember joining the Toronto Symphony twice on their Florida tours (in January). It was dreamy. 😎🌴👌
Aww, so glad you got something out of the tutorial, Lindsay! Feel free to check out my other tutorials and by free content on my website: Www.lynnkuo.com
📣Watch a free preview of my🎻Mastering Violin Techniques 🎻course Building Bulletproof Intonation: violinwithdrlynn.com/courses/mastering-violin-technique/contents/60f5e3d191c93
Thanks Dr. what about the forward inclination of the right hand at the frog vs.flat hair at the tip? When do we want different degrees of inclination for certain dynamics and articulations?
Hi Mo, complicated question to answer. I simply listen and adjust the bow hand according to what dynamics and articulations I desire: tilted hair for quieter dynamics, for example, flatter hair for forte dynamics. There are too many examples of different bow articulations to list here. It’s probably easiest to say to use your ear and tweak your right hand position until you get your desired effect.
"Smoth bow motion does not depend on wrist control." So my 10 years of practice have been a lie? There are so many secrets in violin that I keep discovering
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You might need to “quiet” your arm/back/neck/fingers until you can make the down-bow equal to the up bow in velocity, angle, contact point and “stillness”. Sometimes it helps to observe how this is achieved naturally on the up-bow and try to replicate what happens there in the down -bow.
Have you watched my tutorials on “Bad Sound” and How To Improve Your Sound Quality? That might give you some clues: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-GU03UBSzwJc.html ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-7aFadd2JI8Y.html
@@khai.0509 Aww, that’s sweet of you. Lots of free stuff on my websites as well: www.lynnkuo.com/link-in-bio And I have free previews of some lessons inside my Violin Ninja Course Bundle: Https://violinwithdrlynn.com/courses/complete-violin-ninja-course-bundle
I'm so glad the tips helped you, Alex! Interesting how you found the pendulum analogy the best one. This is why I include multiple solutions and images because different images work for different people. As for your questions about bow changes at the tip, usually people don't have such difficulty changing the bow at the tip? What exactly is the issue? The bow is difficult to maintain straight? Is the sound suffering in the upper half? Are you losing contact with the strings in the upper half and at the tip?
@@violynnkuo thank you for replying to me . I'm an adult beginner with 2 years of experience. I actually find bow changes at the frog easier because I almost lift up the tilted bow so there's not much pressure on the string . Bow changes at the tip however I find it difficult because my index finger and elbow both put pressure on the bow to maintain contact, but when the direction of the bow changes I get confused whether to keep the pressure of not . If I do there's an accident ,if I don't the bow sort of flies away towards the finger board . Hahaha sorry !
@@n8alex298 Without seeing what's going on, it sounds like a general bow arm issue that can be helped by understanding the hierarchy of the muscles (and bones) involved in good bow technique. In general, I return to larger muscles and bone structures first. I describe more about bow arm technique in my String Crossings tutorial: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-lWnoSRyVJfA.html I also work with my students doing a progressive exploration up/down the fingers, wrist, arm, shoulder, back, etc. to experientially feel what is involved, needed, or NOT needed in different bow techniques. You could do the same. Observe the body first: what is going on in the moment, with no judgment, and proceed from there. Hope the string crossings tutorial yields some insight. Good luck!
