12th NBF - Art Talk - Vid. Ramana Balachandhran 

3:06 - 9:26 - Main Ghulam Tera (Kabir Bhajan) 50:57 -58:00 - Chandrachooda Shiva Shankara

So grateful to hear the great Ramana Balachandran . Namo Ramana

Truly amazing What a maturity at such young age.❤🎉

Very interesting one, particularly while speaking about the two types of spiritualty. Indeed a blessed child.

I wish the interviewer would let him finish what he was saying.

Beautiful last answer.

I am blessed to have seen this. That's all I can say. Thank you to the organizers for arranging this.

I pray God to bless you for the progressive journey ahead

MANASUNA MANASAI BRATHUKUNA BRATHUKAI…….ATHE BHAGYAMU ATHE SWARGAMU::

Very childish too

50:57 - 58:05 chandrachooda bliss by Ramana🧘🏻‍♂️🙏🏼

Delightful conversation! Ramana himself is a prodigy and so deep-thinking! The interviewer also did a wonderful job in keeping the conversation free flowing and engaging!

Good god, this is something special. Ramana is blessed, and so are we to be able to enjoy his music and his personality. Kudos also to the interviewer for a great job, rarely seen.

Fantastic interview! Got to know the human behind the musician which makes listening to him all the more special.

What an amaazing interview !! Thank you for organizing and sharing this with us !

Lovely interview! Got to learn more about him, his spirituality and music. Thank you mein gulAm raagam: Jay Jay vanthi taaLam: Composer: Kabir Language: Hindi main gulAm main gulAm main gulAm tErA tUhi mErA Sathya sAyI nAm lE Om tErA rUp nahIn ranga nahIn, nahIn varN na chAyA nirvikAr nirgun hI tUhI raghurAyA (main) mEharbAn mEharbAn mEhar karO mErI dAs kabIr sharan khaDA najar dEkh tEr (main) RAgam: DharbAri kAnadA Composer: Purandara dAsA chandracUDa SivaSankara pArvati ramaNane ninage namO namO || pa || sundara mRugadhara pinaaka dhanukara gangA dhara gajacarmAMbaradhara namO namO || a pa || dharege dakShiNa kAvEri kuMbhapura nivAsanu nInE karadali veeNeya gAnava mAduva uragabhUShaNanu neenE koraLOLi bhasma rudrAkShava dharisida parama vaiShNavanu nIne garuDagamana shree purandara viTtalana parama priyanu neene ||

Very beautiful soul. So happy to hear home. Lots of blessings

Congrats Ramana - Excellent dialogue & interview - great singing & Veena play in as extension of his. Only comment I wish to bring out here is : there were four Tanjore Sivanandam & Sharaddha (others more I may not be aware) who planes Veena & sang - Karaikkudi SambasicaIer iyer & his disciples - Subramanian / Rajeshwari Padmanabhan l, Ranganayaki Rajagopalan. Audience need to be informed of this

You did a great Snape impersonation!!!

Freedom = Spiritual 1:14:49

Hello Ramana, would love to meet your parents too, me as a parent would love them to share their knowledge and wisdom of parenting..if possible one of us organizers should arrange for an interview with the 3 of them to hear all of their prespectives 🙏 Very humble at such a young age, looking forward to many more years of good music from you

I have listened fully to the Q & A Session. I am very much impressed with his mental and emotional intelligence evolution which are the prerequisites for the self realization and actualization both as a Vidwan and a human being seeking enrichment. I understood his logic for choosing Jai Jaiwanti and Darbari ragas compositions-a predominantly rasikas of Hindustani Sangitam. He missed out on reason to give experience of Vilamba Kala Karnataka Sangitam to the rasikas by choosing the second raga and composition. Exalted state for both the Aritist and the rasika is in Nadanubhavam and unified consciousness with the Nada itself. Instrumentalists-Veena and Venu in particular, singing while playing, this practice was in tradition. Ramana is not the first one. He didn't say it in answering. I was surprised at his answer on voice training and sruti perfectionism of practices of HM which indirectly suggests it's lesser accomplishments by KM practitioners, and which is a popular belief. Svara, Anusara, gamaka/meand, intervallic sound spaces, styles, etc are vital differences between the two greatest forms of World Classical Music-Karnataka Sangitam and Hindustani Sangitam. A popular Spiritual Sadgurus -'Anchors' do help the Artists followers to gain quick recognition and support from the followers in general. Ramana and Ramana Maharishi, no exception.

I am yet to listen to the interview. Being a Karnataka Sangitam vidwan, he chose to sing Kabir's bhajan announcing the raga as Dwijawanti but tuning was in Jai Jaiwanti of Hindustani Music. Why?

Ramana u r god

Ramana namasthe! U r BMK sirS re incarnation in singing.

Beautiful

21:26 what a dumb question to ask music vidhwaan!!

I am yet to listen to the interview. Being a Karnataka Sangitam vidwan, he chose to sing Kabir's bhajan announcing the raga as Dwijawanti but tuning was in Jai Jaiwanti of Hindustani Music. Why?

Hari om we too enjoyed his concert

He is blessed

I have heard a Ramnam singing in Papaji tune (Swami Ramdas) I liked it very much very melodious voice 💐🙏

Mrs Nalini Rao loves to hear herself more than she wants to hear Ramana! 😂

In this Era who is listening this song, it's blessing for us 🙏

lovely voice

What a great pleasure!

ONE OF A KIND, INDEED!!!

Arunachalam🙏🏻🙏🏻🙏🏻

❤

தமிழில் பேசியிருந்தால் மிக்க மகிழ்ச்சியாக இருந்திருக்கும்

Hari Om 2:00..that was cute