1600 iso 

I liked the quote untill the end

Yeah rhe rb67 is like lugging a car battery around

Yeah, I owned an RB67 for a short time... that weight is why I got rid of it. Even with the hand grip it was not really hand hold-able. Nearly unusable when off of a tripod. And I'm not a small guy.

Friedrich is a great painter. love his landscapes. always feel like he paints glorified memories like we all have

His videos look better than his photos Love the typography as well Whole vibe fr

he shoots probably on his Sony A7R II with a gloom filter on the lens.

mmm the hole video

They're both trained cinematographers, so it should seem like there is some effort put into story and narrative which what hooks people in.

Seriously. I’m kind of annoyed they didn’t include the gear and lenses for the 16mm camera in the description. Come on guys

Looks like a clockwork bolex H16 with a Zeiss prime adapted to c-mount and an Aaton XTR with something I couldn't see. The lenses might be rented, they are not cheap, but then neither is an Aaton now.

@@iNerdier the lens on the H16 is a Zeiss Supreme Prime Radiance

@@iNerdier Looks like they rented the Zeiss zoom on the H16, the rental barcode is visable, probably did the same for whatever was on at Aaton

@@Desert_Night_Owl there were several shots in this episode on 16mm

If you live on the planet earth there is cool pictures around you

@@filth315 this is true.

Personally I use satellite view on google maps. You'd be amazed what you can find nearby. Googling cool places is also a godsend imo.

@@knots7497 that’s pretty smart! I’ll have to check into that! Thanks.

Yeah I feel the same. I guess it’s all subjective. I also think color looks great with these dilapidated spaces. Black and White makes the images more focused on the windows, IMO.

Exactly the same experience here. So odd

Quite strange they don’t know him…

Same here!

Using an ultra wide lens requires a different technique. I started out primarily as a landscape photographer, you have to become someone that is observant of the rules like Wally Pfister, George Lucas, Steven Spielberg, and my photography god Akira Kurasowa. Become aware of framing including the use of layers, rules of thirds, leading lines, Fibonacci theory, and just the simple fact per AK, sometimes more is actually more, and less is drab, boring, and displeasing. I approach a wide angle lens like a 17 as if I'm telling the story of an establishing scene in a movie, and with street photography, I've realised this is the key, but it's not the easiest craft in the world, because you have to see using your full vision, and frame everything in the scene to tell the narrative. AK would be proud of the opening scene of The Dark Knight, it tells the story that every man when pushed far enough can be The Joker, and that The Joker is just a mask. Notice the busyness and the layers of people walking through the street which is a classic AK technique also for the use of expansive scenes. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-xLcHPsWK5xg.html It's plagarised as fuck but you get the point.... Unfortunately AK was so much of a grand master that most of his work will be repeated by other masters. It sets the point though, every man is a Joker when they've been pushed too far. It established the premise of every comic book movie after its release. It wasn't just a good super hero movie, it told the story of how super heroes and villains are amongst us all. I dunno, it's the Yin and the Yang of life maybe... We can't use a follow focus obviously, but what we can explore is the elements that make a good scene, and how each shot and therefore each frame is a scene in itself.

I usually shoot it at 400, but I'd be interested to try it at 200 and see what it's like.

@@christina3115 Got some shots I can see at 400?

@@joseph3005see Let me see if I have any somewhere that's easy to share here!

@@christina3115 do you have Instagram or flickr