Тёмный

16mm telecine process 

ADAPT Television History
Подписаться 2,7 тыс.
Просмотров 15 тыс.
50% 1

This video was produced as part of the European Research Council funded ADAPT project based at Royal Holloway, University of London. For more information about the project visit www.adaptTVhistory.org.uk
This footage was filmed in August 2015 at BBC Studios and Post Production in South Ruislip, London, United Kingdom.
BBC archive telecine specialist Tim Emblem-English and retired telecine operator Jim Gregory demonstrated the processes involved in scanning television film footage onto tape for broadcast.
This video is part of a series that shows how engineers used telecine scanning processes in order to prepare finished films for broadcast transmission.
The footage being scanned was originally exposed during the project’s historical reenactment of a 16mm television film crew at work, and subsequently processed at i-dailies in West London.
ADAPT (2013-8) is a European Research Council project at Royal Holloway University of London. The project studies the history of technologies in television, focussing on their everyday use in production activities.
ADAPT examines what technologies were adopted and why; how they worked; and how people worked with them. As well as publishing written accounts, the project carries out 'simulations' that reunite retired equipment with the people who used to use it.
Participants in these simulations explain how each machine worked and how different machines worked together as an 'array'; how they adapted the machines; and how they worked together as teams within the overall production process.
www.adaptTVhistory.org.uk
doi.org/10.17637/rh.c.3925603.v1 ADAPT (2013-8) is a European Research Council project at Royal Holloway University of London. The project studies the history of technologies in television, focussing on their everyday use in production activities.
ADAPT examines what technologies were adopted and why; how they worked; and how people worked with them. As well as publishing written accounts, the project carries out 'simulations' that reunite retired equipment with the people who used to use it.
Participants in these simulations explain how each machine worked and how different machines worked together as an 'array'; how they adapted the machines; and how they worked together as teams within the overall production process.
www.adaptTVhistory.org.uk
doi.org/10.17637/rh.c.3925603.v1

Опубликовано:

 

3 сен 2018

Поделиться:

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист
Посмотреть позже
Комментарии : 17   
@video2000ification
@video2000ification 4 года назад
Interesting how this segment was shot on the PMW-100, a camera the BBC did not approve
@johanperjus616
@johanperjus616 Год назад
The sound is terrible for being shot by ”a veteran BBC documentary crew” 😮
@ksdnsdkumar1375
@ksdnsdkumar1375 3 года назад
I always wonder how they broadcast movies on tv.....now my doubt got solved.
@applepine1048
@applepine1048 9 месяцев назад
i didnt know its pronounced tele-"siney" until now. i've always thought it's tele-"sign"
@GregorPQ
@GregorPQ 2 года назад
Very interesting. Do you happen to have something about the C-Reality / DSX?
@professor-josh
@professor-josh Год назад
4:00 "Be kind, rewind" not just for VHS.
@belowthedot8903
@belowthedot8903 3 года назад
Is that the same guy from that other telecine video
@northernplacecorporation
@northernplacecorporation 3 года назад
Rank Cintel mkIII telecine and a Sony DVW-A500P Digital Betacam videocassette recorder.
@petersmith1972
@petersmith1972 2 года назад
FOCUS?
@scottmog
@scottmog 4 года назад
ya'll got any of those bvms for sale? *scratch scratch*
@darrenmarchant1720
@darrenmarchant1720 5 лет назад
how much archival material is available in this format? it is a good idea to transfer such film to digital available for public viewing.
@AdapttvhistoryOrgUk
@AdapttvhistoryOrgUk 5 лет назад
A large amount. Broadcasters and libraries around the world are digitizing and preserving their film and tape based collections, though digitization is expensive and does not create copies which last forever. The big challenge is material held on videotape: it is thought that there is more videotape in the world than can be played on the remaining magnetic playheads. Some big challenges for audiovisual preservation lie ahead.
@jasonhaman4670
@jasonhaman4670 Год назад
Plus early, long-obsolete formats, where working machines to play them are much rarer. Like 2" Quad on the professional side, and Betamax on the consumer side.
@patrickjenner3211
@patrickjenner3211 5 лет назад
Why are you transferring it to digital tape? Can't you capture it to a hard drive?
@AdapttvhistoryOrgUk
@AdapttvhistoryOrgUk 5 лет назад
This was part of a reenactment of historical methods of television production. If we could have done so, we would have transferred to analogue tape at this stage but the technology was not readily available. The film you see in this clip was also transferred to a hard drive.
@bagnome
@bagnome Год назад
Also, digital tape is probably the most cost effective means of storing large amounts of digital information.
@patrickjenner3211
@patrickjenner3211 Год назад
@@bagnome Yeah... but I'd be worried all the DVW- decks will have stopped working in the future though.
Далее
16mm processing filmprocessing singlecamera
16:57
Просмотров 16 тыс.
16mm telecine demonstration
11:17
Просмотров 9 тыс.
Can We Save Goku In 5 SECONDS⁉️😰 #dbz #goku
00:15
ГРАБИТЕЛЬ ИСПУГАЛСЯ МАМЫ
00:37
Просмотров 117 тыс.
Lighting for 16mm film
18:50
Просмотров 30 тыс.
The Eclair NPR 16mm Film Camera
14:19
Просмотров 34 тыс.
Making a 35mm short film | Lab & scanning process
11:26
Telecine Department A.B.C Riponlea last day 1996
18:00
Film Editing | Magpie | Children's TV | 1977
4:00
Просмотров 106 тыс.
1960s BBC TV Transmitter Breakdown tape
19:19
Просмотров 301 тыс.
16mm telecine reflections
10:24
Просмотров 6 тыс.
post cutting betacam preread
12:03
Просмотров 23 тыс.
Early days of video tape
11:28
Просмотров 100 тыс.
telecine demo
7:12
Просмотров 6 тыс.