If you grew up during the 70s, you're actually able to identify which show a network was on based on the camera work. ABC, NBC, and CBS each had their own "look"
It's still true in the 21st century. You can just tell by the studio lighting if it's a stage show. Thinking about the most popular shows in the past 15 years; CBS has overly bright lighting (Big Bang Theory). NBC is more moody (Friends). ABC has the most natural (Roseanne).
I grew up in the 70’s. No clue as to the difference. And now, the shows seem all filmed very similarly. I notice most of the theme songs can blend well with one another. Many on the same exact keys. Shows have similar themes too.
@@annagitana1 Maybe you were very young then. The OP is very true. A person with a keen eye and ear could spot the difference very quickly. It's the same as those classic movies. Each studio had a certain imprint on all its products.
I found the one for the Dumplings that said "Developed With Norman Lear" to be an interesting variation of credits. Usually it is a "Developed by" or "Created by" but "Developed With"? That is a new one on me.
@@debi7227 But they are the tried and true shows that are proven hits with audiences. We've seen those forever. Nothing wrong with that, but sometimes I wish there was a network that would run some of these one and two season shows. It would just be interesting to see something different sometimes.
@@jerseytomato100 Yeah. In the beginning I was a huge fan and vocal supporter of the network, but now, I don't watch nearly as much as I did before. They actually started a second version of MeTV, but not everyone gets it- we don't. But I found out their lineup and I fell like it's just such a waste of space- use it for something new like these short-lived shows.
I'd like to put together all the 70s show intros with the main character walking through the streets of major American cities. I think we could get an hour's worth of content out of it.
Does anybody remember when Lear hosted SNL? In one skit, a writer pitches a prospective sitcom ... "A family of four, two parents and two adult kids living together. Dad is a factory worker who leads a union; Mom is his boss in management; their grown daughter is a nun, and their grown son is a gay state trooper, but here's the twist. They're all practicing snake handlers!" Lear okays this, and you then see a filmed intro, created just for the show, like the ones in this video , with song lyrics, "Papa's a union man. Mama's his boss. And Sis is a nun, and Junior is Gay, and they're all practicing snake handlers!" It was both funny and bizarre.I can't believe I can remember all this. If someone owns the DVD OF SNL Season Two, please post this, as its not on RU-vid yet.
and the 'Big Three' handed him Cash by the Barrel to do it... All in the Family being CBS' Juggernaut (and generating it's own 'universe' of spin offs) it's a safe bet they green-lit a lot of stuff sight unseen to keep him happy - if they balked NBC & ABC were right there hoping he could give them their 'AITF'
Little known fact: One sitcom in the '70s was developed without Norman Lear, resulting in a rip in the space-time continuum, forcing the Avengers to go back in time to fix it. #sacredtimeline
I realize Norman Lear had some successful shows in the 70's. But holy shit he created some serious garbage as well. If I wrote 100 shows I would have come across 1 or 2 good ones as well.
Well Beverly archers done a lot of stuff she's basically well known for playing Iola Boylanon Mama's family for many years. This show is supposed to showcase two people that weren't the greatest looking people in the world but that they were very much in love and had a great relationship and that's what mattered most...
I had no idea Norman Lear made so many shows that didn't make it. That is so crazy to think about knowing how many of his shows are classics that had multiple seasons and are still running in syndication.
Most of Lear’s bombs came after he hit it big with All in the Family, Maude, Sanford and Son, and The Jeffersons. In the mid to late 70s, all the networks wanted to be in the Norman Lear business.
I think it’s the same way that Will Ferrell has been in a TON of comedies but we only really see the three or four best on regular rotation. Probably the same with Norman Lear. For all his great ones, and there were more than a few, there are not so great ones since why wouldn’t he keep himself busy with work 😄
So many recognizable faces and names in each and every one of these "flops"...I tend to feel somewhat different than some of the others who have commented, as I find the 70's TV Shows (short-lived or not) have a certain charm that I find entertaining, and I would be willing, interested and excited to see a few episodes from these shows anytime! They look better to me than 95% of the so-called comedy TV shows that are on today! Count me in!👍 Thanks for posting, and have a neat-O weekend! Take Care! Ms. Elizabeth 📀📺📼📀📺📼
Oh yes! I would rather watch "All in the Family" than anything on today. They could tackle real social issues and politics without being preachy. Talented writers and a good cast makes all the difference. Sadly, they won't even show that show nowadays. You can't even get it streaming. I'm glad I bought the full series a few years ago.
Hot L Baltimore was a favorite of mine from the mid-1970s though I thought it was the early 80s for the longest time. I must have mistaken it for another show of the same kind.
Even leaving aside Norman Lear, there are a lot of familiar names and faces. If you missed these shows, you certainly saw these people on other shows in the 70s. Also, there were only 3 fonts used in the 1970s, and we see them all in these credits.
0:01 Apple Pie 0:39 Hotel Baltimore 1:29 The Dumplings 2:23 The Nancy Walker Show 3:09 Fay 4:11 A New Kind of Family 5:14 Miss Winslow & Son 6:11 Big Eddie 6:42 Joe and Sons 7:30 Joe’s World 8:19 Love Thy Neighbor 8:49 We’ve Got Each Other 9:50 Loves Me, Loves Me Not 10:25 Hanging In 11:15 Doc 12:02 A.E.S Hudson Street 12:57 The Super
I was 11 years old in 1975. I sure do miss the 70s TV shows. They were about all kinds of people, and most of them lived in average homes and were average-looking. Today everyone is generic, has perfect teeth, live in upper middle class homes, etc. Shows were simultaneously more real and more fanciful back then. I mean who'd make a sitcom like the one with James Coco today? Or the other one about the awkward-looking couple running toward each other? Guess I'm getting old and nostalgic.
I am a former young teenager of the 70's and TV was very important because there was little else except radio, and records. Four maybe 5 channels in Chicago. All of these themes are horrible. It is no wonder they flopped. I don't recall any of these shows. When the TV guide for Sept premieres came it was an event. These were so short lived can't remember them. You feel sorry for some of the great stars that were in these TV themes. Give me Petticoat Junction Theme.....
Chicago has the most professional news programs. Detroit and other large cities looked like low power high school T.V. stations. A few of the Chicago news personalities have moved to New Buffalo Michigan. Steve Dahl also lives there now.
I was just explaining to kids what a TV guide was and remembering the September premiers. The networks had an annual preview with the stars of the upcoming shows.
I remember a very small handful of all those shows.. my favorite was Hot L Baltimore! I was in my mid-teens at the time and thought that was the greatest show ever! LOL!!
I watched "Edward Scissorhands" a few months ago for the first time in years and did not know that the late Conchata Ferrell was in it. I mainly knew of her from "Two and a Half Men", and seeing her here in the intro for "Hotel Baltimore", I didn't realize that her career goes back all the way to the 70s.
Oh, she was in all sorts of things in the 1970s, '80s, and '90s before she was in that piece of crap a few years ago. L.A. Law, E/R (the sitcom, not the long-running drama, although both had George Clooney) long-running drama, an incredibly memorable guest spot on _Good Times_ ...
Yes. That was one of George Clooney’s first roles. She played his aunt. Elliot Gould was a goofy doctor a la Hawkeye Pierce. Jason Alexander (with toupee) was head of the hospital. And Mary McDonald (dances with wolves) was, I believe the head doc in the ER and Elliot Gould drove her crazy. The show was actually very funny.
I would rather have these cheesy sitcoms then the “reality” shows on every channel today. Give me Apple Pie over the Kardashians ANYDAY. That being said, you can actually see why there were so many serial killers in the 70s. There was nothing to watch and no technology to occupy their time.
The Sopranos, Breaking Bad, and Mad Men were excellent ground breaking shows. As Gig Young's dad said approximately in the greatest episode in TV history, Walking Distance from the twilight Zone, "maybe there is cotton candy and merry go rounds where you are now too". It was Serlings mini auto biography. Many of his stories dealt with the theme of wanting to return to his youth. This one was a work of art in every way. Story, acting, directing, cinamaticography, and musical score.
1. Nobody had technology in the 70s so that was never a second thought. 2. There was plenty of reruns of good shows running, no stupid infomercials and the shows that were popular were of very good quality.
I'm a simple lady, I see this and I immediately click. Also, I remember you adding promos to some of these shows in your other videos, it's good to finally see the theme songs themselves!
I don't remember a thing about the 70s. I was born in 1977. I remember from bits of 1980 or 1981 and then more going forward. But my older brother was 7 and older sister was 6 in 1979 and they remember a little bit of growing up during that decade. From stories I heard, it was a great decade to grow up in. However, growing up in the 80s wasn't bad at all, either.
I remember about half of the intros presented. A shout out for the 70’s here. If you grew up in the 70’s as I did, I think you would be better off all around. Looking back it was pure bliss.
I remember watching "Hot L Baltimore," "The Nancy Walker Show," and "The Super." They were all hysterical shows that should have lasted much longer than they did on network television. Brings back some good memories.
ALMOST HALF of the shows (The first 6 minutes) involved Norman Lear. One involved the partnering of Norman Lear and the team behind Three's Company. One involved Danny Arnold creator of Barney Miller. One of the writers of The Super was Rob Reiner. Nice to see Christopher Knight still trying to break away from the Brady Bunch. And much, much more.
The failure of the variety hour must have been monumental if he was so desperate to wash the taste of it out of his mouth that he would work for Norman Lear.
Hot L Baltimore was hilarious! I was crushed when it was canceled, and it probably wasn’t on long enough to go into syndication. What a shame, because it was a truly funny show.
Yes, but all he was doing was creating content. He had so many successes, lots of his stuff got the green light, and if it failed with audiences, it still didn’t stop the machine.
Great reel of intros rarely seen in other such RU-vid reels. Never knew Clemenza from "The Godfather" scored sitcom pilots, though he was really the only comic relief in the movie. This reel further indicates that K Callan is the queen of pilots. I've heard that working character actors can make a living off doing pilots, even those spawn short-lived series or are not even picked up, though she also has some film credits and a long-running recurring role on "Lois and Clark."
The Super starring Castellano and co-starring Bruno Kirby(as B. Kirby Jr) both playing the character of Clemenza in their respective Godfather movies...
@@Qboro66NICE!!! I came down here to write the same thing!! Crazy casting coincidence...except for the stereotyping of Italian(Ish) actors....Bruno was born Bruno Giovanni Quidaciolu
That was actually the second version of the intro for "Doc" - the first one had someone (I want to say Barnard Hughes) singing a different theme song. Speaking of trivia, although this is probably well-known to people who would watch nostalgia videos like this, "Hangin' In" was originally written with Bea Arthur as Maude as the main character (at the end of "Maude," she is appointed to fill a vacancy in Congress, but Bea Arthur decided she didn't want to continue with the character for some reason, so the new series was retooled - "coincidentally," with Bill Macy, who played Maude's husband Walter, as the Representative).
In the Paradise of of Eternal Television there simply MUST be a 1 hour dual episode of 'Fay' and 'Phyllis' with Lee Grant and Clorish Leachman tearing around San Francisco and into each other and into the scenery in numerous high style 1975 outfits...I think I would sell my soul to see that.
The show was kind of not-so-great but I remember the pilot/debut episode when Phyllis moved to SF as truly hysterical. Went downhill after that.@@debi7227
I always feel a little sad when I see these intros and..."Okay, I recognized him from other stuff. She's been in a movie...He was on two other shows..." Only to end up seeing one person in the cast I don't recognize. Only to look up in the IMDB to see they did NOTHING else ever.
Wow! I often think about things like this too. You'll see an actor/actress in a flop pilot or you'll see someone on a couple shows and wonder what else have they done. You look them up and find they seemed to have absolutely no career after their one or two moments in the sun. I often wonder more about these people than the stars; where did they go? Were they deeply disappointed that they didn't make it ? What are they doing now? Yeah, I totally get what you mean by things like this being kind of sad in a way.
Boy have times changed. I clearly remember Hot L Baltimore and ABC warning viewers about it's "mature subject matter". I saw a couple of episodes and in one of them James Cromwell picked up the phone and said "Yeah, this is the damn motel". Back then saying damn on TV was heavy stuff. Today I wouldn't be surprised to hear that in one of those Nickelodeon kids comedies.
Disney and Nick hired people who worked for Norman Lear. When Kenan Thompson said “investigate more,” this was the tree they should have been barking up.
I love to watch these shows. Some were really good. TV is my personal time machine. I go back in my mind. I imagine I am young again, watching with my father( didn’t have a mom) TV was my entire world outside of school. I never played sports , so it was TV after school until bedtime. Early morning it was always on, watched before school. Stayed up to watch Carson later on. Now I go back and watch the shows that never made it. I love tv so much. American tv is the best in the world. I learned so much about life, proper educate, right and wrong and about girls. Ahh girls❤️
I assume you mean the 90's Friends cause there was another show Friends on ABC on Sundays that only lasted 6 episodes and starred girl from Love Boat. ABC hyped it up incessantly but it bomb worse than anything strapped to a terrorist
@@homelesshannah50 Yes I mean the 90's sitcom. It wasn't that bad. But I got bored after a while. But some people talk like TV ended the day Friends did.
@@homelesshannah50 The 1979 Friends was a bomb from Aaron Spelling, another guy you'd think would have batted a thousand. He had a few failures along the way, just like Lear.
Thanks for sharing these with us. I never knew there were so many of them with some great actors who went on to other more successful shows, or were in successful shows then tried their hand at other sitcoms that flopped right off the bat and or were short lived.
Hotl Baltimore was a summer replacement series and probably deserved more of a shot than it got. I am glad it at least kept James Cromwell working who in my view is one of the finest actors
@@evelynsmith8419 That is what really boosted his career and it has projected ever since. Six Feet Under, the Queen, LA Confidential, Boardwalk Empire, The Young Pope. He is a vintage wine
I only remember one, "Doc". Richard Castellano (twice!), James Cromwell (with hair!) and Rob Lowe (pre-Brat Pack!) Having an animated credits sequence is the kiss of death. But for these shows, *not* having one was also the kiss of death
There seemed to be people in the industry who felt that Castellano and Cromwell were going to be big TV stars eventually. I love that twenty years later Stretch Cunningham ended up in great feature films like L.A. Confidential and acclaimed series like Six Feet Under.
You're never going to know until you try You gotta take a chance and reach for the sky 'Cause we're living for this moment And what we have right now Helping one another find Some happiness somehow 'Cause each day is what you make it Let's make this one our own And it's better when you share it 'Cause it's twice as hard alone Our roads have come together And it's time for something new Letting me be be Letting you be you 'Cause each day is what you make it Our hopes are riding high And it's better when you share it But we'll never know until we try
Hot L Baltimore! I have heard so much about this rare ABC show (Norman Lear's first show on ABC). I want to see this and The Nancy Walker Show badly! Nancy's show also was a Norman Lear ABC show as well.
I remember seeing Hot L after exposure to all the Norman Lear / quirky character hype and thinking it had such a modern look and feel, representing a new level in the evolution of television. I liked it enough to watch several episodes. I was pretty heavy into TV as a 12 to 14 year old and I don't remember almost all of these shows. The late 70s was such crap compared to all the classics then in syndication. Also, I once met an older guy in the 90s (in my wild youth in New York) who was a writer cranking out these sort of sitcom turds. He was one of the most miserable, selfish and self hating people I have ever met. Just a total Harvey Weinstein, but without the gravitas or career success.
Hot L Baltimore was based on an off Broadway play that outlasted the TV show. When I went to see the play, a poster outside the theater promoted it as "Too hot for television!"
Never recall any of these. Amazing how many shows come out and disappear and no one remembers. So few are memorable. All I remember from the 70s are Happy Days, Laverne and Shirley, Good Times and Night Stalker.
"Short-lived"? You said it! These 18 series aired a grand total of *197* episodes, or about 11 per show. (For comparison's sake, "One Day at a Time" had 209 all by itself!) "Doc" was by far the longest-lived, with 29 episodes in 1975-76, with "The Corner Bar" a distant second with 16. (I do not remember this program *at all* , but I was only about seven years old when it ran in 1972-73; as far as I know, it has not been shown anywhere since then.) Least number of airings? "Apple Pie" with just two in 1978 (although eight were filmed). The rest: "Hot L Baltimore" (13 episodes in 1975; based on an off-Broadway play); "The Dumplings" (10 in 76; based on a comic strip); "The Nancy Walker Show" (13 in 76); "Fay" (10 in 75-76); "A New Kind of Family" (10 in 79-80); "Miss Winslow and Son" (6 in 79; still doesn't have its own Wiki page, but it *is* mentioned on the page for the UK series it was based on, "Miss Jones and Son"); "Big Eddie" (10 in 75); "Joe and Sons" (14 in 75-76); "Joe's World" (11 in 79-80; it was set in Detroit, I believe); "Love Thy Neighbor" (12 in 73; also based on a Britcom); "We've Got Each Other" (13 in 77-78); "Loves Me, Loves Me Not" (6 in 77); "Hangin In" (4 in 79; created from the wreckage of the infamous "Mr. Dugan" [look it up]); "AES Hudson Street" (5 in 78) and "The Super" (13 in 72; a show that starred Richard S. Castellano, apparently because somebody at ABC thought, "What America really needs is a sitcom starring Richard S. Castellano...!") You're...welcome...?
Love Thy Neighbor was very controversial in the U.K Some would say you guys had better taste because it was cancelled so quickly over there.I think Archie Trump..sorry Bunker(Till Death Us Do Part-U.K version)did well but it was in the same mode of controversy.
I liked "Doc" and was sorry when it was cancelled. But I've always liked Barnard Hughes and Mary Wickes in anything they appeared in, even when it stinks. "The Corner Bar' reminded me a little of "Duffy's Tavern" and "Cheers." They tried to be character-driven like those shows but it was hard to keep up with the changing line-up. Odd how many of these shows were recycled Britcoms and several of them were "developed" by Norman Lear!
@@smith1958b bet you didn't know this, though. All in the Family had multiple spinoffs, one of which was the wildly successful Maude. It was such a big hit that there was a British ripoff of it, but it had nothing to do with the shows that inspired All in the Family because there was no analogous character. So it was an entirely stand alone show over there.
@@ryankieth1675 How do you mean I wouldn't know this? I lived in the 70s, I seen all these shows first run. All in the family had the Jeffersons, Archie Bunkers Place, Gloria, of course Maude. And Good Times was a spin off of Maude. Have you seen the Britcoms Till Death do us part and Steptoe and Son?
@@AmyLSacks True, but the MTM Show, wasn't about a divorced woman, that was still considered taboo in 1970, especially for Mary, as people might have thought that Rob and Laura got divorced.
@@VesnaVK I'm not really sad, it was kind of a joke but it did remind me of just how old I really am because sometimes I forget, but I guess that's a good thing😊
@@dannyreilly1459 that's awesome! Being alive long enough to know things and have memories is great. 😎 People too often talk about it like it's somehow less than.
I like all these intros with the characters walking around their cities and singing about their lives. I’d like to see this intro. We’ll call the show “Penny”: starts off the music and an drone shot of the Statue of Liberty. Then we see Penny ordering coffee from a vendor with the Seattle Space Needle in the background. She waves and it’s her boyfriend Allan, a cop in his car that says “Dallas Police.” She walks more and waves to her best friend Ruth who is picking oranges off a tree. Then she waves to Michael and Lisa, her mom and dad, Arizona park rangers who emerge behind a giant saguaro cactus and wave back, then you see Penny board a San Fransico cable car as the song ends. First scene is Penny, who we find is a TV meteorologist, whose first words are “Good morning, fellow Midwesterners. It’s going the be a cool morning here in beautiful Kansas City!”
Am I the only one who saw the first few scenes of "We've Got Each Other" and assumed it was about a gay couple? One thing that presents a stark contrast to the TV shows of today is that the "stars" looked a lot more like "regular" people!
Not really. I've watched so much "Mama's Family" in my life, that I knew Beverly Archer before her name ever flashed onto the screen. But, "The Nancy Walker Show" actually had a gay character. I read the IMDB descriptions for the shows. ;)
There have been some exceptions recently. I think the best example is "The Middle" which purposely cast average-looking actors for the lower-middle class family.
the first clips of them running towards each other I was thinking They did a Gay Couple Sitcom in the 70s? no way. when I eliminated that option my next guess was "Cool Guy w/ Special Needs Friend"... then it said one of them was 'Beverly' and I realized it was just the 70's style...
he knocked it out of the Park with All in the Family in January of 71... and considering the spin off Universe (Maude, Jeffersons, Good times) it created he was a Golden Goose... even if he dropped lead a few times
I have a fleeting memory of seeing Rob Lowe on a TV show in the 70s. Don't remember the show at all, just him. I thought he was about the prettiest thing I'd ever seen in my life.
Interesting to see that Norman Lear must have had as many failures as successes - though we only hear about the good ones. I saw quite a few people I knew, but none of these shows made it to Australia.
I can remember that "Doc" and "As Long as We've Got Each Other" being in the Saturday night line-up at 830 pm behind "All in the Family" but they just couldn't hold the audience so they were cancelled after half a season or a year. 900 pm was Mary Tyler Moore, then Bob Newhart, followed up by Carol Burnett.
In the 70s and 80s, Saturday nights was the night of Must See TV. I remember growing up in the 80s, watching The Facts of Life, The Golden Girls, and Amen with my Mom. And then the next night on Sunday, that was the night I would watch Married...With Children with my Dad. But mostly, Saturday nights consists of news shows, reality shows, and SNL reruns unless it's College Football Season as people no longer want to stay home on Saturday night. Most rather hit the bars and/or clubs, go out to eat, go to the movies, or just go shopping. I remember Saturday being my favorite day of the week. Watching Saturday morning cartoons, watching pro wrestling with my brother in the early afternoon, going to town and having McDonald's for lunch, going to the Wal-Mart or K-Mart where Mom would shop while my older brother, sister, and I would spend our weekly allowance, then go grocery shopping, rent a couple of movies, and then go home to have dinner and then get in front of the TV to watch great programming. Now, I work every Saturday at my job until usually 8PM and then go home and have dinner, stream a TV show, and fall asleep. Unfortunately, Saturdya is no longer my favorite day and are not like the ones I grew up with.
As young as I was back then, I do remember liking "Doc" a lot. I was confused when it suddenly was no longer on TV. Some good shows just never find their audience.
The 1970's was a time when pop culture still had a streak of desire to rise up to sophistication and literacy. Today, shows don't even have opening themes becasue the average viewer doesn't have enough of an attention span.
Most shows do have opening themes, along with credits. The main difference in programming between then and now is the lead-in time between shows. Back in the earlier days of TV, at least one or two ads or network promos would air between shows. Nowadays, there are so many channels that networks immediately air another TV show as soon as one ends, to try and 'hook' the viewer (i.e. entice him / her to keep watching that network).
Never saw any of these although I recognize lots of "B" stars. It must be so heartbreaking as a bit actor to finally land a lead role with a good income in a new series only to see it fail quickly.
As a child of the 70s, I totally remember Doc and A New Kind of Family because that boy Rob Lowe was so dreamy. I also remember Hot L Baltimore. But all of the actors in all of these are such familiar sitcom/movie mainstays, that I loved seeing their faces and names.
Quirky people. Lots of laughs.... and a few tears! Love and family ultimately overcomes all arguments and misunderstandings. All of this larded with the wisdom of small children and the middle-aged, the wag of a dogs tail...etc Happy days!
For every gem, there were about 20 real stinkers "Short lived" for a reason. The funny thing about most of these shows, you could watch the intro and predict exactly what was going to happen.
I read the descriptions on them. You could not guess a few of them. Hot l Baltimore actually is pretty highly rated on IMDB. 7.8/10. Apple Pie seemed like a weird show. You could tell from the intro that it was during the Depression, but the description says the woman is a hairdresser and puts out a newspaper ad to create a family. Like she gets a husband, a daughter, a son, and a grandpa. Odd.
@@luckdragongirl Definitely right about "Apple Pie." Rue McClanahan's character believed that "Why can't we choose our relatives?" Weird show! As for "Hot l Baltimore," I believe it was based on an off-Broadway play. This was probably the pilot for the series because I don't remember seeing Charlotte Rae among the characters featured here...
Wouldn't mind watching the Pilot episode of each one of these "flops." Bet they'd each be more entertaining than the vomit-inducing garbage we have on TV now. Wondering how many of them got cancelled back in the 1970s because they weren't given a chance to establish themselves. Surprising number of Hit shows out there with terrible opening seasons. Not just the first one, but the second one too.
There’s a lot of trash out there these days but also plenty of very well written programs that are as good or better than anything from the 70s. Especially this sitcom schlock.
Some of these are Americanized versions of British shows with new names or some with the same name. Despite no cable yet, television was needing airable content of any kind, even some of the British programs were copied or borrowed for some stations
Some of them- including "LOVES ME, LOVES ME NOT"- were "six episode wonders", meaning the network gave those shows exactly six episodes to "find" their audience, or face oblivion. With rare exceptions, most of them did.
Yeah I remember that. He was loved on Barney Miller but wanted it all. He basically was never heard from again. It is a sad story, he was well liked but basically reached to far and got himself buried for leaving Barney Miller in the lurch like that.
@@homelesshannah50 He had bit parts in other tv shows but never got back to the run he had on Barney Miller. Vigoda ended up with his own show, so did Landesberg. Hal Linden became a producer/director. Ron Glass was in many shows after that. Woo died and the polish guy was in a few movies but didn't last a lot longer. Sierra was on a roll but when he left that show his momentum stopped.
@@homelesshannah50 I didn't say he never worked again. If you remember when he was on that show he was really popular so much so that he had his name and his characters name when he was introduced in the opening credits, a big thing for actors. His part was small but he was so well liked on the show his part got bigger and bigger. There was talk of a spinoff but he was definitely hot. Then his contract came up and he had big money and creative demands he wanted. I guess this other show came up and he ended up taking that instead. People liked the old character and this new show was nothing like the guy he played on Barney Miller. The show went away quietly and so did the big momentum Gregory Sierra had went away also. He stayed as a supporting guy and in small parts here and there but no more shows starring Sierra. His time to strike it big died with that show he went to after BM. Then the eighties came and the actors changed from funny creative people to pretty untalented hacks and the shows slowly went downhill until you have the situation we have now. Where everything is a second or third version of some other show. Vapid and pointless image and product barrages, saying nothing and meaning less.
It's really interesting to see some of the actors before (Conchata Ferrel, Audra Lindley, Roscoe Lee Browne), after (Christopher Knight), or between (Susan Dey) the roles that made them household names. And I had no idea Sheldon Leonard actually starred in a sitcom in those days, as opposed to creating them.
I know right, I don't think I saw any of the Brady kids in any kind of other show after The Brady Bunch. Except for Eve Plumb in that TV movie Dawn - Portrait of a Teenage Runaway.
@@kevineich3838 Well....most of them got work....Maureen and Eve did the best....but they were all seriously typecast as Bradys. They did pop up here and there though - "Brady kids" appeared on Happy Days, The Love Boat (many times!), Little House on the Prairie, Vegas, Delvecchio, Lou Grant, Fantasy Island, Wonder Woman, One Day at a Time, The Facts of Life, Police Woman, Three's Company, The Bionic Woman, and Chips....to name just a few. BUT...(and I'll have to check my research) Joe's World made Christopher Knight the ONLY Brady Kid to be a series REGULAR in a non-Brady show for nearly 20 years until Eve Plumb starred in "Fudge" in the mid 90s. (Robert Reed is the only other BB actor to be a regular - 1981's "Nurse" with Michael Learned from The Waltons. (Yeah..check the screenname...I'm kind of a Brady freak....)
"Doc" was a pretty good sitcom that lasted a full season before CBS tampered with the format and took away all the really interesting supporting characters.
You're right by the second season they killed off his wife played by Elizabeth Wilson and made him work in a clinic instead of having him have a private practice. I believe it was on CBS on Saturday night with that famous Mary Tyler Moore lineup
NBC cancelled "FAY" after a few episodes because it was scheduled opposite "THE WALTONS". When Lee Grant heard about the show's cancellation just before she appeared on "THE TONIGHT SHOW STARRING JOHNNY CARSON", she told Johnny and the audience exactly how she felt about Marvin Antonowsky, NBC's vice president in charge of programming, who axed her program. He was eventually fired- and later worked for Universal Television {who produced her series} and Columbia.
I appreciate the hard work you've done, you deserve a link credit. I'm at a loss as to how you come across some of the rarer intros, i.e. Apple Pie, which apparently aired only 2 episodes back in 1978. But along with your uploads and those of The Rap Sheet, Steven Brandt, Bob Parker, among innumerable others, I've been able to create mostly thematic videos, especially my Stay Tuned and Fall TV ones, to try to accurately recapture the various viewing flavors of past eras, and I can only be grateful for that.
