I am still loving your tour of the National gallery of art and it brings back so many memories of being there all those times, including the day I could spend a whole day there many years ago. Best wishes to you. I have seen some others you have done too, including the cherry blossoms near the Jefferson memorial. Thanks again.
Thanks for your tour. I just came from DC and explored this museum for a couple hours. Really wish I had more time. I would have loved to stay longer. On the agenda for a future trip....
I posted another video tour of that section of the museum (Italian Renaissance) at a somewhat slower pace. Leonardo da Vinci's Ginevra is at around 5:47 of that video, here's a link: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-l2-bZpId6wI.html.
Thank you so much for a super tour of the national gallery of art. It is so great to go back to it whenever I want to. My dad worked in Washington DC and it was part of his job to hire the first workers at the gallery when it first opened in 1941. Mom and dad went to the big opening evening celebration and they both told me about it many years later. Thanks again for your work.
Hermoso y grandioso las galerias de artes de WASHINTON. En verdad no me imaginaba que hubiese tanta riquesa patrimonial artistica europea aca en las americas. MUCHAS GRASIAS.
You're very welcome, and thank you for the comment! Best of luck if you make a video of the Warhol museum. I'd be happy to see all museums producing complete high-quality virtual tours available online. While this museum let me use a gimbal after much discussion with the head of security and trouble with individual guards, most museums around the world apparently ban gimbals along with tripods and monopods, complicating making these types of videos. However, as you work for the museum you'd like to film, you probably wouldn't need to worry about such restrictions. I may try making future museum walking tour videos with a DJI pocket 2, which is far more discrete than a mirrorless camera on a full-size gimbal.
@@jeremylavine thank you for your humble response brother. I am sorry that was a challenge for you. I know most museums ban back packs and I saw plenty in the video. It sucks sometimes when people pick and choose the rules singling folks out. I am not sure what our policy is with tripods but you bring up a very valid point. A point only an artist can make and that's why museums are there. Anyway you did great and it feels weird to say but yolo. The people watching was great too and your cinematic focus kept my eye keen on the screen. I know if I produced a video it wouldn't be as good but if I do I will let you know in the comments. They have like 4 museums they could film Thank you for the camera rec too. I am not sure if you are a fan of poloroids but I just bought an impossible I 1 camera and im in heaven. You can find them online for cheap and they are a very unique shot. God bless you on your Journey Jeremy. Thank you for taking time to write back
Thanks, I'm happy you enjoyed it! The Corcoran and other Smithsonian museums wouldn't let me use the camera + gimbal I used here for steady video, and this restrictiveness seems to be standard for most museums in the world. I plan to try recording similar walking tours in such museums (after the epidemic) with a DJI Pocket 2. It's a tiny camera that hopefully should attract no attention from museum guards, while still having a tiny integrated gimbal for stabilization and better image quality than a smart phone or gopro (though not as good as a "real" camera).
Lacuna grave : mancano i Macchiaioli! (Sono sicuro che non avrò risposta) La critica più avvertita sa che il secolo XIX è assai più ricco di artisti importanti di quanto solitamente si pensa. I critici più acuti sono gli artisti stessi. Allora bisogna sapere che il grande Degas ammirava moltissimo Telemaco Signorini che è uno dei Macchiaioli più rimarchevoli. Questo è uno dei segnali più significativi che questo gruppo di Macchiaioli, finora sconosciuto in America , costituisce davvero un movimento artistico fondamentale nell'arte europea. Quando gli Americani se ne accorgeranno? Quando le opere dei Macchiaioli non saranno più sul mercato?
