Knowing something may be a talent or the result of hard work but knowing how to teach something to grasp the attention of the audience and make it understand is a blessing, and always a pleasure to watch.
You are very special. Your style of teaching is so simple, yet very effective. You could easily make this so much more complicated, but you explain it so elequently, that complex concepts actually make sense. One off humble genius😊
I disagree. I was screaming at the screen for the guy to finish the progression at every level. I found it very frustrating that he didn't complete the progression at first, let everyone hear it a few times, and then talk about it. To play only bits before giving a lecture, drove me nuts and I wasn't able to concentrate.
I love to play around with the 1-4-5 chord progression. This man is basically telling you guys how to improvise and make something beautifully designed out of something simple. This is cool to see the explanations for the things I already do 😮
"This man is basically telling you guys how to improvise and make something beautifully designed out of something simple" I wasn't sure about the purpose of the video. Thanks a lot for the explanation.
That's a clean and clear explanation on transiting between chords and making it colorful. Will be great if we have more levels on this with respect to the passing chords and special chords. Great Work Buddy
i mean if the root note is black note, how could you represent it in Romanian scale? Like, all the white notes are numbered from 1 to 7. What about the black notes? @@Persun_McPersonson
This is a very good explanation of chord progressions and the logic in choosing the right inversion of chords to create a smoother and more harmonic music. The reason it sounds better than just playing the basic chords is due to the vertical and horizontal relationship between the different notes. This is called contrapunct, or counterpoint (point vs point). When you're playing the bass note and add 3 more notes using your right hand, think of it as a choir consisting of 4 singers: bass, tenor, alto and soprano. If you look at it like that, every singer has a unique melody and together they form chords. When you use the right inversions and don't jump from one basic chord to another you actually create a more balanced melody for each singer 😎 If you want to learn more, I suggest you buy the Bach Chorale book which is the holy grail of western harmony and advance from there. 😀
This is a good conversation! Please be aware that the merits of this conversation COULD be lost on beginners and those who are less experienced...which seems to be his target audience. Just an observation. 🙏🏾
Best music teachers on YT: David Bennett - Piano and theory. Ian Stitch - Guitar and soloing. I have no relationship to either one of them, either financial or otherwise. They are both just really, really good teachers.
Indeed. Shows the power of a bassist to influence the entire harmonic direction of a song. For good when tastefully done, terrible when we screw up since we take the whole ensemble with us lol
David, I love your stuff and have already learned a lot from you. It was a great surprise to see that you8 are one of the Pianote instructors! I have been with Drumeo for 3 yrs and since they combined Drumeo, Guirareo, Singio and Pianote all thogether, I have access to Pianote so I will be checking our your courses. This lesson is great, showing how to take the same chords and by small tweaks, spicing them up and actually changing to whole flavor and feel. Thanks David for another great video.
I've seen a lot of videos on music theory and this makes a lot of what I've heard and seen over the years fall into place so to speak. Thanks a lot for this.
Had just watched a video where tension was mentioned. Was kinda lost, thinking "Here comes another thing I never got to learn, and now, I've got to go figure out what it means and how to apply it😢". Buh with this video, I've gotten a huge leap...lemme not even talk about how I've been using inversions for convenience not knowing any principle behind it, only for this video to clear things up. Man, as a self-taught pianist this video is priceless. Just saved me months of trial and error... Thanks David......Thanks Pianote.
This was really educational. I'm going to try to incoporate this into my daily jam sessions. I hope my family notices the improvement in sound. Explaining the suspense, and relief was such a brilliant way of putting it. Thank you young man.
I have played a lot of Flash games in me younger days, and Red Ball 2 had a particular track that used this chord progression. Turns out it's called "It's Reggae You Know" and I just love it.
This video was extremely helpful to me. Thank you for presenting the content in such a clear (and beautifully played!) way, and never getting unnecessarily complicated. What though-provoking ideas I will now go apply to things I have been playing for years. Many, many thanks.
This arrangement of chords is what jumpstarted my piano playing journey. I still can’t read notes very well, but I can play whatever I hear very quickly if I can just figure out the chord arrangement.
Hey brother, this is actually really helpful and well-explained. Also didn’t add too much salesy stuff is nice. Clear examples, not jumping instantly to complicated chords, etc. Great job!
The inverted pedal point immediately brought to mind the Johnny Cash version of The Nine Inch Nails' "Hurt"... the G note rings out over the vi-IV-I-V (Am-F-C-G) in the chorus creating much the effect shown here albeit with the progression rearranged.
After this video, I understood so much more of what I was hearing in songs! Realizing now a lot of the passing chords that I didn't understand are just flavors for the same simple chord progression!! You are a great teacher, thank you for making it so clear and simple!
Would the inverted F sus2 shown actually be an inverted F add9 since you're leaving A in the chord? I really don't know and not trying to challenge you. You're an excellent teacher.
Yes, you are correct. Fsus2 means "no A," and Fadd9 means "keep the A." I also see it as Fadd2, which makes more sense if the "G" is in the middle of the chord somewhere.
This was more helpful for me than I expected! I already understood the concepts, but gained some deeper understanding of some aspects. Thank you, Musora and David for joining forces in this collaboration! I really have benefited from the two videos I've watched so far!
Big up the big DBP 🧑 🎹 always great to see David guesting on other channels! Love this emphasis on the harmonic ways to make your 1 5 6 4 unique, but don't forget rhythmic changes too! One chord per bar will sound wildly different to one chord per beat, will sound different to playing with triplets or a different time signature etc.
Excellent video 😊. Thank you very much David. Clear and unambiguous. Just watched a competitors video who skipped all the different parts ancillary things like inversions and rhythm which left me really confused.
Man i m trying to play my old organ time to time for ages. I watch some videos on youtube and try to play them. But i found out that i have not passion for this because it comes for me as imitating something with nonsense. I ve watched your video and understood the logic behind the notes and playing piano. Just a month passed after seen your video and i made a real progress on playing piano. Thank you very very much
One option not mentioned of moving from vi to IV is simply holding the vi (Am) chord in the right hand and adding an F in the bass, creating an FMaj7 chord. In fact, the top E could be held throughout the progression, giving C G6 Am FMaj7.....
David is as always. Informative, quiet and very easy to follow or understand. Well the pause button does help yea, but music theory itself is amazing. Mr. Bennett just helps to get it onto everybody. Great video.
Guitarist here! Love David's work - so clear. For a I V vi IV, i love an inverted pedal but using the leading note, so we'd get: Cmaj7 - G - Am9 - Fmaj7add#11 (maybe resolving to F 😉)
