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5 Top Tips for Preparing Orchestral Auditions - Joseph Conyers Interview 

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In this interview, Joseph shares his 5 top tips for preparing for an orchestral audition which show it really is all in the preparation. He also shares some of his personal experiences in professional auditions, including times where it’s all gone wrong - it really does happen to us all! Here is a summary of his top tips, but you can find out more from watching the video below.
Also, make sure you watch Joseph's performance at 08:25 of an excerpt from Mozart's Symphony No. 39, mvt. I, mm. 40-97.
5 Top Tips for smashing your orchestral audition!
1. Prepare!
Preparation is key, and this includes organising your practice time. Don't waste time practising things you can already play, focus on the problematic parts and start practising way ahead of time. By the time the audition comes, you'll be fully prepared.
2. Listen to Recordings
Take advantage of online resources and listen to the full orchestral piece that the excerpt is from. Preparing for orchestral auditions is different from preparing for a solo concert because you are aiming to be part of the bigger picture - the other instrumental parts. If you listen to lots of recordings of the piece, you can prepare your audition in the right style and know exactly how your part fits with the others - remember Mozart and Mahler are not the same, so they shouldn't sound the same!
3. Memorising the Music
Whether you want to memorise the music or not, it doesn't matter - do whatever allows you to perform better. BUT whichever you choose, you must practice that method to mimic the audition environment. To reduce stress and mistakes in your audition, you don't want to be making quick decisions about looking at the music or not, so either don't look or don't look away but stick to one method!
4. Practise Mistakes
It might sound odd, but everyone's human and mistakes get made, so we should practice making them! Or rather, practice making and moving past them quickly. The important thing is, don't let your mistakes ruin the flow of your performance. The audition committee might not have even noticed (they have a lot to concentrate on!) and you shouldn't let it define the rest of your performance. Joseph describes some of his audition stories in the video, it really does happen to everyone!
5. Record and Listen Back
Again, with today's technology, it's super easy and cheap to listen back to your playing. When you're playing, you won't necessarily hear your mistakes, or you could hear things that weren't even there. That's why it's so important to record yourself, listen back, and be your own critique. Why not send it to some trusted friends, too, to get more helpful feedback!
Follow Joseph Conyers on Social Media:
FB: / josephconyers440
IG: / weatherclef
Love the double bass? Join our online community of double bassists:
►FB: / discoverdoublebass
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#OrchestraChops

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6 сен 2024

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Комментарии : 18   
@Bionictotquewrench
@Bionictotquewrench 4 года назад
That bass sounding so different in the hands of so many different teachers in a real lesson in not needing different equipment to be a better musician. If David Allen Moore and Danny Ziemann and John Goldsby and Joseph Conyers and Katie Thiroux can all have their own distinctive sound on Geoff Chalmer’s bass, then it really all is in the hands and fingers of the players.
@DiscoverDoubleBass
@DiscoverDoubleBass 4 года назад
It's been so much fun to see this happen on my bass. John Goldsby, Joe Conyers and David Allen Moore were all using the same set of Spirocore Weichs and all sounded so unique! It's been a good reminder for me to stop drooling over new basses and get in the practice room! :-)
@johnmontalvo9537
@johnmontalvo9537 6 месяцев назад
Tremendously wonderful!!!!!
@CCMorgan
@CCMorgan 2 года назад
I listened to this one morning and then won an orchestral audition later the same day
@user-sc2ov1cy5r
@user-sc2ov1cy5r 6 месяцев назад
His play, I love. Thank you, good explain.
@BrunoMigliari
@BrunoMigliari 4 года назад
Great interview. And what a beautiful bass sound!
@DiscoverDoubleBass
@DiscoverDoubleBass 4 года назад
Thanks Bruno! We were knocked out by the sound Joe gets from the bass. It's so clear, but with a real warmth and character.
@josephconyers440
@josephconyers440 4 года назад
Thank you!
@Bionictotquewrench
@Bionictotquewrench 4 года назад
On recording and listening back: I’ve just bought a loop pedal just for this. I used to record, then stop and switch cables to play back. Now I have the loop pedal connected to studio monitors, and I play, and then listen immediately to the the loop back. If I’m playing Arco, I can use a mic, if jazz, then using the pickup is easy. The feedback is so instantaneous and humbling.
@DiscoverDoubleBass
@DiscoverDoubleBass 4 года назад
That's a great set up! I need to try this.
@markbarber7839
@markbarber7839 4 года назад
Terrific candid interview thanks !
@DiscoverDoubleBass
@DiscoverDoubleBass 4 года назад
Thanks for watching :-)
@josephconyers440
@josephconyers440 4 года назад
👍🏾👍🏾👍🏾
@deimosvega
@deimosvega 4 года назад
Bravoooo!!!
@DiscoverDoubleBass
@DiscoverDoubleBass 4 года назад
Thanks for watching!
@josephconyers440
@josephconyers440 4 года назад
Thanks!
@doddsalfa
@doddsalfa Год назад
What does he play in the end? (brilliantly)
@DiscoverDoubleBass
@DiscoverDoubleBass Год назад
It's an excerpt from Mozart's Symphony No. 39, (mvt. I, mm. 40-97).