I don't care about how good each of these guitars are better or worse than one another. It is the player that is crucial. These are pretty good guitars. And my point is, very well play! Very traditional tones and expression. All guitars again, are pretty good, played by you
Hi since you've gone thru all the guitars.......i mean you're the one playing these instruments.....you've got a feel of these guitars; I'd like to know which one do you favour most on an overall rating....ease of playability/overall tone quality & available tonal palette/projection .......appreciate your effort & comments; Cheers!
2nd the best. 1st has a lovely unique sweet tone. last one the worst by far. first 2 easiest to play. second has most tone colour range. check out the guitar I built in other video, it is better than all of these.
Wow thanks for the comparison. I just received a 1968 S. Nogami Tenor Classical guitar and was looking for some information and came across your comparison. I know it's 2 years since you posted this, but I just wanted to commend you on a great job. Your consistent playing really makes each guitar's resonance clearly recognizable. I have a 1964 Hashimoto that really resonates, but this S. Nogami's resonance is something to behold. I can't wait to clean her up and dress her with new strings. Some of these vintage Japanese classicals really sound Spanish. Amazing comparison!
+Sword Hillvillage The Japanese makers in the old days (50s, 60s, 70s) went to the effort of learning from Spanish makers in Spain. now any woodworker starts building guitars and calls themself a "luthier"
