Cinematic‼️ You are like the Hans Zimmer of VCV rack and modular. And you can mix it up and make it look so easy with the psytrance and techno genres, among others. 👍🏻
Hello, every time I watch one of your videos, I learn a lot. I've been using VCV since 2019, and as soon as I discovered your youtube channel, it enriched me for my creations. Thank you
The short piece starting around @10:53 almost had me in tears .. it reminded me of VNV Nation, in particular the pads their "Distant [Rubicon 2]". Just that will argue and defend that with these pads you just made, that original song would even sound better and more emotional than it already did. Thank, for sharing this brilliant idea, as well as this particular sounds. EDIT: the parts you played after that were even more beautiful .. I could listen to those for hours.
@OmriCohen-Music I luv ur dedication and ur creativity, little feedback from a friend we met at superbooth, would be great to make small demo in the beginning of the result, so we get excited and know more what is to come. Thanks buddy, I wish ur well
Hey, thanks so much! I hope to go to Berlin once again. About the preview, I always feel like my videos are long enough, but I will see what I can do. Thanks!
I'M NOT WORTHY!!!! Mr. Cohen, you have taught me so much, and I continue to learn even more! I've started my journey into taking music theory classes and aural training classes thanks to your tutorials and it's opened up whole new worlds of creativity for me. I owe you so much.
@@OmriCohen-Music Love The Channel brother! Do you know of anything close in vcv rack to the rainmaker multitap delay module? I am trying to get unique random melodic loops from audio samples.
This is great! I'm having some trouble making it polyphonic though. i've enabled 3 polyphonic channels/voices in the right-click menu of the MIDI-CV module, and tried the different polyphonic modes, but when I press more than one key at once on the midi controller, I get silence, and even playing one key at a time, I only hear sound every few notes. If I set Polyphony Channels to Monophonic, everything sounds fine, but of course it's monophonic. Am I missing a setting somewhere? EDIT: Figured it out - the problem had nothing to do with sickoSampler but I was sending two polyphonic cables from the outputs of sickoSampler to a Gig Bus module. All I needed to do was just send one.
Ha I was thinking of making exactly this video the other day, you beat me to it! The pad at the end sounded great, but I was expecting you to resample the whole thing 😉 Personally I don't find any of the native VCV module samplers that good, so I bought Pigments for this. I do a lot of resampling VCV but it's a slightly different process. I usually make texture patches with stuff like filter pings and sample that as a layer. Sometimes I take a whole finished patch and just set all the quantisers to octaves, record parts, edit in Audacity to loop it perfectly then load the samples into Pigments. Sometimes I also sample single notes with loads of VCV effects, then use parts of that. You can also use the granular engine in Pigments and add more effects. Endless possibilities for sound design 😀
@@OmriCohen-Music I got it quite cheap, try to pick it up next time it's on sale! I got it through a reseller but Arturia usually do special pricing too if you have any of their products. The sampling/granular engine is excellent and sounds very clean when you play stuff back at a different pitch. It's not always obvious what type of sounds are going to work resampled but that's the fun part with experimenting. It's quite often the things you don't expect to work that sound amazing 😉
Very cool. Trying to get my head around using found or recorded sounds but NOT using a midi keyboard, perhaps as part of a generative patch. Playing the sound once is fine (you can just load up the audio file), but then how you transpose it to give you that pad like texture
Thanks! Yeah, using found sound might be tricky sometimes. I think that the more you work on the sound before you use it, the easier it will be when you build your patch. For example, finding loop-points, transposing when needed, removing noise, etc. It can be tedious at times, but when you finally sit down to compose, you can concentrate on composing rather than troubleshooting samples. I hope it makes sense...
Thanks@@OmriCohen-Music...mmm, I think I was headed that way too...actually manipulate the single sound into a 'chord' and then use a sequencer or something to vary it (to mimic playing it on a keyboard)...either that or set up (say) three instances of the sound (as duplicates are easy in VCV) and make them travel through a chord sequence together....or use the sample as the root and see if I can offset the signal (but trying to work out if I do this before the sampler or afterwards)...I'm still learning 🤣🤣
Not VCV related at all, but loads of Juno soft-synths are my way of pad layering....cliche maybe, but still sounds soooo good 😊Though I'm defo gonna try this sample method 👍
