Federico Mompou: Suite Compostelana 00:00 | I. Preludio 03:24 | II. Coral 06:05 | III. Cuna 09:31 | IV. Recitativo 12:27 | V. Canción 15:25 | VI. Muñeira
His Majesty Andrés plays with a perfect sound, a perfect tempo, a unique expressivity. As for the prelude, some even excellent guitarists prefer to step on the gas and turn it into a sort of speedy Asturias, whereas Segovia is Segovia, that says it all.
according to the information given by the Met he played the Hauser guitar from 1938 to 1962. www.metmuseum.org/art/collection/search/503282 In "Segovia at Los Olivos" (1967) the maestro mentioned to play Ramirez and Fleta if I remember correctly. If this was recorded in 1964 most likely it's not the Hauser guitar anymore.
I assume Mario means the recording quality. In the Deutsche Gramophone cd presently available, on the market the sound 'bursts at the seam'. I assume because of multiple copuing. This one on youtube sounds pretty much OK, though. Or is Mr. Vilanova referring to a few modern dissonances?
@@segovianaofficial Thank´s for your reply. I don't like the sound quality of this post compared to others. However, I am a great admirer of A Segovia.
Lo que interesa es la interpretación musical de la partitura. el "sonido", sea lo que sea según tu opinión, es secundario Si te refieres al procesamiento de señal para hacer la grabación apta para música de fondo de ascensor, consulta de dentista o bar de tapas es otro asunto. Saludos.
